Archived posting to the Leica Users Group, 2010/02/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Mark I think everyone got your argument -- a $1000 lens cannot be as good as a $3000 lens. This might be true. But I think you ought at least refute the commonly held notion -- even by many who love Leica lenses, and I am certainly one of those people who love them -- that one pays a substantial premium just for the brand, nothing else. I wouldn't presume to know whether this is true. I think certainly when it comes to things like straps and viewfinders ($600 for a viewfinder? oy) and lens caps it certainly (ridiculously, in fact) is true. When I was young and ignorant I paid a fortune for a 39mm Leica plastic pinch-style lens cap (like 30 bucks or something; I checked, they're over $60 now) and it was the cheesiest lens cap I ever owned. Wouldn't stay on, broke, etc. All of the luxury brands do this: autos, clothes, etc. They overcharge mercilessly on accessories. But many folks think Leica charges too much for everything. (I don't agree with that; in fact, if the Nikon D3 at 80lbs or whatever it is costs $7000 I cannot imagine how the M9 doesn't cost much much more.) Also, in recent years, certain lenses have come out from Cosina and elswhere that reviewers claim are superior to Leica designs of earlier that still sell (I'm thinking here, and will humbly take correction from all who offer it, of the CV 21/4 which a slew of reviewers have said is superior to the Leica 21mm lens currently extant though the latter costs four times as much). These two basic tenets, now commonly accepted -- that Leicas often are overpriced as a branding stragey and that certain modern technologically assisted designs have from time to time (albeit not often) produced superior though much less expensive products -- are what allow many of us without a second thought to accept the statement that such and such a lens is "world class" (and a $1000 lens probably is 'world class' no?) and to imply that the lens is at least comparable to the famed 35mm Summicron AsPH at three times the price. As I remarked, the pictures certainly look good enough to make certain claims for. (I know I know web images are not prints and who can tell and you gotta see 'em at 36" by 24" in an operating room at Mt Sinai then you can judge but only with a German loupe -- I know). I'm suggesting only that to some, a continued insistence that perforce the $3k HAS to be better than the $1K -- because after all it costs three times as much which means they spent three times as much making it -- sounds a little naive, as if everything in the world were accurately priced according to its measurable value. It might just be true in this case but I do think your argument needs to acknowledge that some have reasonable doubts. I have long heard that the 35, 75 and 90 Summicrons are masterpieces, so I don't doubt what you're saying myself. I would love to own one someday. Which means I should get to WORK and stop following this highly amusing thread. Vince On Sun, Feb 28, 2010 at 4:07 PM, Jeffery Smith <jsmith342 at gmail.com> wrote: > Oddly enough, I thought that's what you were saying in your posts. Some of > the reactions sort of surprised me. > > For the record, I have a Nikon film SLR (FM3A) with a Zeiss 50/1.4 Planar > on it. I just like the rendering that Zeiss glass gives. Maybe not as sharp > as a Leica lens, but I love the results. I have room for lots of cameras in > my collection, and never get TOO married to any single one of them. > > Jeffery > > > On Feb 28, 2010, at 2:35 PM, Mark Rabiner wrote: > > > Here's why I got as keyed in as much as I did as I realize some of my > typing > > was fuzzy, unlear or not to the real point.: > > There is certainly a place in the world for the excellent ZM lens line. > > I'd assume or guess most of the stuff gives better than Nikon Canon > > results. > > The orignal post seemed to describe tor hark back to the Zeiss legacy > going > > back a hundred years of fanatical high end quality. Which is what the > Zeiss > > legacy is. An interesting combination of conservative lens design with > > innovation. But always very high quality which resulted in the very high > > price. Not the fluxuations of the German Mark. > > In the past years the stuff they had made by other companies to appeal to > a > > whole different price point. Kyrrocera and then Cosina and is just not > part > > of that intense tradition they were put in play to appeal to the mass > > market. > > They Zeiss designs perhaps but modified so they can be made to much lower > > tolerances an appealing to the popular market. The same companants can be > > used in more than one lens. > > The majority of lenes you buy from any company is unless its some > cutting > > edge Asperical based on a CLASSIC ZEISS DESIGN. > > So saying "get whizz it's a Zeiss design" it not to the point. > > You've probably got one in your hand right now. > > > > I think a thousand dollar nikon lens is competitive against a thousand > > dollar canon or Pentax, Olympus. Minolta. Cosina. Miranda. > > And a three thousand dollar Leica lens is competitive and comparable to a > > 3000 dollar Zeiss lens. Or a 3000 dollar lens made from just about > anybody. > > Though I think the Kraft company should stay out of it. > > Saving money and NOT getting the highest end premium pie the sky thing is > > often the way to go. Its the usual way to go for most people most of the > > time. > > Sometimes you go for it and and break the bank and get the best. > > And a choice of glass is worth it. > > Leica gives you that opportunity. > > > > [Rabs] > > Mark William Rabiner > > > > > > > > > > _______________________________________________ > > Leica Users Group. > > See http://leica-users.org/mailman/listinfo/lug for more information > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information >