Archived posting to the Leica Users Group, 2010/01/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]This is still more exact, thanks for the information. Yes, as far as I know the MOMA was initially reluctant but after they have fully cooperated, I think remember that the King of Spain has been too one of the decisive persons on the negotiation. As Spanish and citizen of the world I modestly think that we can be very proud of this fact. Saludos Lluis El 03/01/2010, a las 23:15, H. Ball Arche escribi?: > "Picasso's "Guernica" was on display at New York's Museum of Modern > Artfor a number of years. It occupied a solo room near the wall sized > mural of Monet's "Water Lillies." You could go from wartime chaos to > tranquility in a few steps. Picasso refused to have Guernica hung in > Fascist Spain during WW2. I believe it was returned after his death." > > >> From Wiki: > > As early as 1968, Franco had expressed an interest in having > Guernica return to Spain.[1] However, Picasso refused to allow this > until the Spanish people again enjoyed a republic. He later added > other conditions, such as the restoration of "public liberties and > democratic institutions". Picasso died in 1973. Franco, ten years > Picasso's junior, died two years later, in 1975. After Franco's > death, Spain was transformed into a democratic constitutional > monarchy, ratified by a new constitution in 1978. However, MOMA was > reluctant to give up one of their greatest treasures and argued that > a constitutional monarchy did not represent the republic that had > been stipulated in Picasso's will as a condition for the painting's > return. Under great pressure from a number of observers, MOMA > finally ceded the painting to Spain in 1981. The Spanish historian > Javier Tusell was one of the negotiators. > > > > > > ----- Original Message ---- > From: Lawrence Zeitlin <lrzeitlin at gmail.com> > To: lug at leica-users.org > Sent: Sun, January 3, 2010 3:11:50 PM > Subject: [Leica] A grab bag of comments > > A grab bag of comments about recent LUG posts. > > Mark, > It would be tough to use the Graflex for photographing carrier > landings if it was anything like the one I used in the early '50s. > Disregarding the fact that you had to reverse your concept of left and > right, it took about half a second for the mirror to flip up and the > shutter to move across the film opening when taking a picture. And if > you didn't have a lens with an auto diaphragm, it took longer. In that > time the plane would have traveled almost 200 feet. The few sports > photographers who used Graflex cameras to film baseball complained > that they had to release the shutter before the pitcher threw the ball > to get a shot of the batter swinging (or not). > > Lluis, > Picasso's "Guernica" was on display at New York's Museum of Modern Art > for a number of years. It occupied a solo room near the wall sized > mural of Monet's "Water Lillies." You could go from wartime chaos to > tranquility in a few steps. Picasso refused to have Guernica hung in > Fascist Spain during WW2. I believe it was returned after his death. > > Tina, > I think my blood would boil at 13,000 feet. About ten years ago my > wife and I contemplated a hut to hut X-C ski trip on the 10th Mountain > Division trail in Colorado. Her brother was a member of that division > and she always considered herself a better skier. We chickened out > when we discovered that all the huts were above 11,000 feet and you > had to ski the trail carrying 50 pounds of supplies. Although we might > have tried if you were standing beside the trail handing out little > bags of candies. > > A belated Happy New Year to everyone. > > Larry Z > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > > > > > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information