Archived posting to the Leica Users Group, 2008/09/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Original message: From: Luis Miguel Casta?eda Navas <octabod@gmail.com> >I have worked for 25+ years on a wet one, and I still appreciate it >for B&W far over digital (and I do high end stuff on both systems) for >what I shoot, cannot tell the same about color where there is no point >on handprinting. ......................................................................................................... My sentiments too (42 years wet darkroom experience). I feel I've accomplished something tangible in the (B&W) darkroom. For color that is meaningful to me, I'll shoot slides. I can't seem to get attached to 0's and 1's (Digital is de rigueur for clients; I'm speaking of personal satisfaction). Mies van der Rohe said, "God is in the details.", so I still can't get over the fact that at a micro level the digital process has turned any diagonal or curved image elements into squared-off pixels. It just bothers me that these have saw-toothed edges. Film has grain, I know, but it's random and more closely supports an analog, curvilinear reproduction. If I had to work 40 hours a week in the darkroom, it wouldn't be fun. But I enjoy the experience when I control the time spent there, amongst the smells, the sound of running water and music, and the charm of seeing the image appear. It's like a vacation from work, where I sit in front of a monitor more than I would like. In a darkroom there is also the opportunity for physical activity while waiting for the processes - moving to the music, etc. ;~) Alan Alan Magayne-Roshak, Senior Photographer UPAA POY 1978 University Information Technology Services University of Wisconsin-Milwaukee Office Phone: 414 229-6525 | E-mail: amr3@uwm.edu Department Phone: 414 229-4282 http://gallery.leica-users.org/v/Alan+Magayne-Roshak/