Archived posting to the Leica Users Group, 2004/08/19

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Subject: [Leica] M magazine
From: scott at adrenaline.com (Scott McLoughlin)
Date: Thu Aug 19 14:24:41 2004
References: <02c601c48620$ac4f7360$6601a8c0@ccapr.com> <1092944839.4759.76.camel@failsafe> <412512DD.9050309@adrenaline.com> <1092950118.4759.93.camel@failsafe>

Feli,

On these intellectual history issues, I think we might
be quite like minded :-) 

I've wondered long and hard over what happened
between very roughly the first half of the 20th century
and the latter half.

In any case, while I have no definitive answer, I can
still mourn.

Scott

Feli di Giorgio wrote:

>I'm not against artsy fartsy. Heck, both my parents are artist.
>I just have something against navel gazing artists. 
>
>Most artists have big egos and it's a necessity. You can't be an artist
>without an opinion.
>
>May Ray and the rest may have been out there, but it's hard 
>to argue that weren't a very talented bunch. 
>
>If one reads some of the papers written by the various Bauhaus artists
>one will discover that there is an awful lot of thinking that went in to
>those "squiggles" and seemingly senseless pieces and that's what
>I don't see in a lot of modern work, which is often like bad acting.
>Bad actors imitate. Good actors don't. Don't act, be.
>
>Feli
>
>
>
>
>On Thu, 2004-08-19 at 13:51, Scott McLoughlin wrote:
>  
>
>>It's a good point made that Capa was hip. HCB hung around
>>with the most pretentious, self-consciously navel-gazing art
>>crowd you can imagine, Andre Breton and the surrealists,
>>and did his first commercial work, IIRC, for one of Breton's
>>surrealist/communist (go figure on that mix!) publications
>>in the 30's.
>>
>>But anyway, whatever their work product or public persona, it
>>shouldn't surprise folks that artists are typically, well, artists! You
>>know, the self-consciously artsy, elite hipster types :-)  The
>>public product and private person don't have to match up.
>>
>>Weird examples (not photogs): quintisentially "American idol"
>>Cary Grant was a bisexual Brit who liked halucinagenic drugs;
>>real "down home" country musician Bonnie Raitt grew up in
>>New York and went to Harvard (my alma matter).  Here's
>>another really weird one. "Dukes of Hazard" Boss Hog went
>>to Harvard too. Yup!  In real life, he was a "Dunster House Tea
>>at 5:00" type of guy.
>>
>>You get the idea. Have fun, add your own examples. It's not
>>very hard!
>>
>>So back to M and photogs, even if they do-or-have-done photo
>>journalism work that we all adore, it doesn't mean that they
>>themselves necessarily view that work as their best. Maybe, but
>>maybe not.  Maybe that just pays the bills. Maybe they like to
>>travel. Of course, maybe some do view their journalism work
>>as their highest calling. 
>>
>>But we shouldn't necessarily assume so. Just as likely, I'd wager
>>that some, maybe many (no, not all!!!) really, really elite photogs
>>are a bunch of somewhat "artsy fartsy" types who might have
>>gone to nice schools, have a yearning desire to "do something
>>new with the medium" and so on and so forth. What do you
>>want? They're artists.
>>
>>But I haven't seen "M", so I'm not claiming it doesn't totally
>>suck :-)
>>
>>Scott
>>    
>>
>
>
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>  
>


Replies: Reply from clive.moss at gmail.com (Clive Moss) ([Leica] M magazine)
In reply to: Message from bdcolen at earthlink.net (B. D. Colen) ([Leica] M magazine)
Message from feli at creocollective.com (Feli di Giorgio) ([Leica] M magazine)
Message from scott at adrenaline.com (Scott McLoughlin) ([Leica] M magazine)
Message from feli at creocollective.com (Feli di Giorgio) ([Leica] M magazine)