Archived posting to the Leica Users Group, 2017/06/04

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Subject: [Leica] Film Lab
From: eddy at altphoto.be (Eddy Willems)
Date: Sun, 4 Jun 2017 22:55:39 +0200
References: <CAH1UNJ0P+Fdw=cpGOO9yhvSFMGy4b77SVOME89tBehQ_TJ63tQ@mail.gmail.com> <FC4E534E-6F7E-46B1-A9E5-412FBB4AAB6B@gmail.com> <CAEFt+w9kgzW=HphOAUrSogRKDjZeTM107ouz82ayjX0h8R6Tdw@mail.gmail.com> <808C3BF5-BFBF-4BE7-B78A-F53528103C02@gmail.com> <CAH1UNJ0NW=M_+wqJzrO+1A+Hf+XBy4UL50QzU0iCV12iOk8Gpg@mail.gmail.com> <CAEFt+w_CvAev=+n_DXy3Uo8-3ek7c4GnTL=RyJCP_r1Y94r2GQ@mail.gmail.com> <CAH1UNJ3ozS1A6Sc+z3yvT34yN0Gf7wq_d1V1qDit_Quw3UaVxA@mail.gmail.com> <DA21CFC5-4961-4E5E-B0AE-42D0B26855E7@gmail.com>

when it is not as goed you have to work much longer on your digital file

also have a cilibrates monitor

your camera has to be callibrated ect

its like you have to do your digital home work

like you did when you worked with the Zone System


Op 4/06/17 om 21:23 schreef lluisripollphotography:
> Gerry, Jayanand and other friends
>
> What I can say is obvious, film and digital technologies are different, 
> they work in different ways and maybe it is a mistake compare them. What I 
> can say and afirm is that if you have a negative from film, you print it 
> and you also you enlarge it in the darkroom the results are much better 
> from the darkroom procedure, for example, one of the prints I?ve do on my 
> EPSON SC-P600 on Canson Platine Fiber Rag size A3 and the same enlarged on 
> Ilford Baryta Multigrade, same size, the resukts are much, much, much 
> better from the chemical process, the digital printing offers an 
> approximate view with less gradation, les definition and deepness on the 
> blacks and on the highlights, on this picture there is sand and very shiny 
> sea waves, in the inkjet print the sand appears as many small pints and 
> the highlights without information, on the wet copy you see a rich 
> extended zones of grey on the sand and information on the highlights. If 
> you take the focusing magnifier used n the darkroom and lou look at the  
> picture information from digital, you see big drops of ink, if you look at 
> the wet copy you see fine points of grain. The printers still ?don?t know 
> print in a fine gradation, they know only input points (drops if ink)?. If 
> we ONLY look at the picture on the monitor the differences are less 
> evident, the monitirs are retro?luminated and they give us a better 
> suggestion of the image, if you consider as I do, that the final picture 
> is the picture, I?m sorry to be so ?brave? as Gerry says but the wet copy 
> is the winner.
>
> A different think is if you have shot something on digital, in my opinion 
> on this case you are already to work with the digital values, they can 
> differ from film values. In my recent experience in the darkroom with a 
> friend who know very well the B&W negative values, he has demonstrate me 
> measuring the negatives zones with a densitomer that separation and 
> information between the different zones, particularly on the extreme zones 
> 0, 1 and 9 and 10 is more rich with film. I?ve do Digital Negatives, an 
> interesting technique to get chemical prints from digital files, not easy, 
> and at least in my experience the final quality is not as good as a copy 
> from a real negative, I think because the original amount of information 
> is not the same, when you make a Digtal Negative you print it, and I have 
> already said which are the inconvenients of a printer procedure compared 
> with a chemical one.
>   
> Beside this there are many possible interpretations as well as compromise 
> and in many cases digital could be enough, but what I?ve realized is that 
> if I have a nice picture to print, I prefer have it from film and do it on 
> the darkroom than in inkjet printing.
>
> Cheers
> Lluis
>
>
>
>
>> El 4 juny 2017, a les 9:30, Jayanand Govindaraj <jayanand at gmail.com> 
>> va escriure:
>>
>> Dan,
>> Oh, I am sure of that!
>>
>> I feel that digital output is still better than darkroom output, though,
>> even for B&W. IMHO, there is simply no comparison, in the complete
>> workflow, from capture to print. As I said, others may have different
>> opinions and I respect that - I know Lluis does, and we have discussed 
>> this
>> many, many times privately, and in the end we just amicably agree to
>> disagree, and go on with what suits us individually! However, I find the
>> exchange of views very useful, leading to invaluable insights.
>>
>> Cameras are tools for me, and digital cameras, Fuji & Nikon, one for 
>> street
>> and one for wildlife, are my tools of choice at this point of time. The
>> Fuji GFX50S is tempting, and exerting a siren's song,  but I cannot see 
>> how
>> I have any use for it that makes it superior to my existing gear, for my
>> type of photography, and the sizes I print at present. A printer that
>> accepts 24" wide paper, instead of 17" that my Epson 3885 uses might be a
>> better choice right now!
>>
>> I have a fair amount of film camera equipment gathering dust on my shelves
>> and in the bank locker, more, I am sure, than most of the most committed
>> film shooters around - Leica IIIF and IIIG, Nikon F Apollo. F2AS,
>> F3Titanium, F4, F100, Canon and Nikon Rangefinders, Rollei TLRs, Mamiya
>> 645E - except for the Leicas, all of them were originally bought by my
>> family - uncles, aunts, father, myself - and finally found their way to 
>> me.
>> Most of these are with me because I did not have the wit (or the heart) to
>> sell them in time. This after selling most of my Leica film equipment in
>> London a few years ago (M3, M2, R6.2 and 10 lenses)!
>>
>> Pens and watches, on the other hand, are hobbies, passions which make them
>> an emotional issue, while cameras are just a utilitarian one! I am
>> particularly fond of JLR and IWC in watches, and Pelikan as well as the
>> Japanese trio, Namiki/Pilot, Sailor and Platinum as far as pens are
>> concerned, and primarily these are what I use.
>>
>> Cheers
>> Jayanand
>>
>> On Sun, Jun 4, 2017 at 12:30 PM, Dan Khong <dankhong at gmail.com> wrote:
>>
>>> Jayanand
>>>
>>> You might be more analog oriented than you think.
>>>
>>> I actually like collecting and using old fully mechanical watches and 
>>> apart
>>> from the antique look, almost all that I have are accurate and they run
>>> like clockwork. I also write with fountain pens in my work and cheap ones
>>> perform really well. So it looks that we have much in common.
>>>
>>> Dan K.
>>>
>>> On Sun, Jun 4, 2017 at 11:15 AM, Jayanand Govindaraj <jayanand at 
>>> gmail.com>
>>> wrote:
>>>
>>>> I disagree, I think film is nowhere as good as digital, but to each his
>>>> own.....:-) (Hey - I use mechanical watches and fountain pens!!!)
>>>>
>>>> Cheers
>>>> Jayanand
>>>>
>>>>
>>>> On Sun, Jun 4, 2017 at 3:18 AM, lluisripollphotography <
>>>> lluisripollphotography at gmail.com> wrote:
>>>>
>>>>> Gerry, Dan
>>>>>
>>>>> I?m agree of course, but film is not only nostalgia, it is better
>>> quality
>>>>> than pixels technologies?
>>>>>
>>>>> Cheers
>>>>> Lluis
>>>>>
>>>>>
>>>>>> El 3 juny 2017, a les 23:23, Dan Khong <dankhong at gmail.com> va
>>>> escriure:
>>>>>> Lluis
>>>>>>
>>>>>> Film and darkroom is far from dead. Ilford is revived as
>>> Harman-Ilford.
>>>>>> Kodak still makes films both for still photography and
>>> cinematographic
>>>>>> industry. Seems Star Wars and latest Bond movie were shot on film.
>>> Once
>>>>> in
>>>>>> a while, I set up my darkroom (bedroom for the dry part and
>>> connecting
>>>>>> bathroom for the wet part) and enlarge a dozen prints. Nothing beats
>>>> the
>>>>>> smell of fixer for nostalgia.
>>>>>>
>>>>>> Bests
>>>>>>
>>>>>> Dan K.
>>>>>>
>>>>>> On Sat, Jun 3, 2017 at 6:34 PM, lluisripollphotography <
>>>>>> lluisripollphotography at gmail.com> wrote:
>>>>>>
>>>>>>> Jayanand,
>>>>>>>
>>>>>>> The best B&W is from the darkroom, now I?ve been back I regret to
>>> have
>>>>>>> spent so much time and money on digital?.
>>>>>>>
>>>>>>> Cheers
>>>>>>> Lluis
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>> El 16 maig 2017, a les 5:05, Jayanand Govindaraj <
>>> jayanand at gmail.com
>>>>>>> va escriure:
>>>>>>>> If it catches anybody's fancy!
>>>>>>>>
>>>>>>>> https://www.kickstarter.com/projects/175814937/filmlab-an-
>>>>>>> app-for-viewing-and-digitizing-analog-f
>>>>>>>> Cheers
>>>>>>>> Jayanand
>>>>>>>>
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Replies: Reply from lluisripollphotography at gmail.com (lluisripollphotography) ([Leica] Film Lab)
In reply to: Message from jayanand at gmail.com (Jayanand Govindaraj) ([Leica] Film Lab)
Message from lluisripollphotography at gmail.com (lluisripollphotography) ([Leica] Film Lab)
Message from dankhong at gmail.com (Dan Khong) ([Leica] Film Lab)
Message from lluisripollphotography at gmail.com (lluisripollphotography) ([Leica] Film Lab)
Message from jayanand at gmail.com (Jayanand Govindaraj) ([Leica] Film Lab)
Message from dankhong at gmail.com (Dan Khong) ([Leica] Film Lab)
Message from jayanand at gmail.com (Jayanand Govindaraj) ([Leica] Film Lab)
Message from lluisripollphotography at gmail.com (lluisripollphotography) ([Leica] Film Lab)