Archived posting to the Leica Users Group, 2017/06/04

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Subject: [Leica] Film Lab
From: lluisripollphotography at gmail.com (lluisripollphotography)
Date: Sun, 4 Jun 2017 21:23:32 +0200
References: <CAH1UNJ0P+Fdw=cpGOO9yhvSFMGy4b77SVOME89tBehQ_TJ63tQ@mail.gmail.com> <FC4E534E-6F7E-46B1-A9E5-412FBB4AAB6B@gmail.com> <CAEFt+w9kgzW=HphOAUrSogRKDjZeTM107ouz82ayjX0h8R6Tdw@mail.gmail.com> <808C3BF5-BFBF-4BE7-B78A-F53528103C02@gmail.com> <CAH1UNJ0NW=M_+wqJzrO+1A+Hf+XBy4UL50QzU0iCV12iOk8Gpg@mail.gmail.com> <CAEFt+w_CvAev=+n_DXy3Uo8-3ek7c4GnTL=RyJCP_r1Y94r2GQ@mail.gmail.com> <CAH1UNJ3ozS1A6Sc+z3yvT34yN0Gf7wq_d1V1qDit_Quw3UaVxA@mail.gmail.com>

Gerry, Jayanand and other friends

What I can say is obvious, film and digital technologies are different, they 
work in different ways and maybe it is a mistake compare them. What I can 
say and afirm is that if you have a negative from film, you print it and you 
also you enlarge it in the darkroom the results are much better from the 
darkroom procedure, for example, one of the prints I?ve do on my EPSON 
SC-P600 on Canson Platine Fiber Rag size A3 and the same enlarged on Ilford 
Baryta Multigrade, same size, the resukts are much, much, much better from 
the chemical process, the digital printing offers an approximate view with 
less gradation, les definition and deepness on the blacks and on the 
highlights, on this picture there is sand and very shiny sea waves, in the 
inkjet print the sand appears as many small pints and the highlights without 
information, on the wet copy you see a rich extended zones of grey on the 
sand and information on the highlights. If you take the focusing magnifier 
used n the darkroom and lou look at the  picture information from digital, 
you see big drops of ink, if you look at the wet copy you see fine points of 
grain. The printers still ?don?t know print in a fine gradation, they know 
only input points (drops if ink)?. If we ONLY look at the picture on the 
monitor the differences are less evident, the monitirs are retro?luminated 
and they give us a better suggestion of the image, if you consider as I do, 
that the final picture is the picture, I?m sorry to be so ?brave? as Gerry 
says but the wet copy is the winner.

A different think is if you have shot something on digital, in my opinion on 
this case you are already to work with the digital values, they can differ 
from film values. In my recent experience in the darkroom with a friend who 
know very well the B&W negative values, he has demonstrate me measuring the 
negatives zones with a densitomer that separation and information between 
the different zones, particularly on the extreme zones 0, 1 and 9 and 10 is 
more rich with film. I?ve do Digital Negatives, an interesting technique to 
get chemical prints from digital files, not easy, and at least in my 
experience the final quality is not as good as a copy from a real negative, 
I think because the original amount of information is not the same, when you 
make a Digtal Negative you print it, and I have already said which are the 
inconvenients of a printer procedure compared with a chemical one.
 
Beside this there are many possible interpretations as well as compromise 
and in many cases digital could be enough, but what I?ve realized is that if 
I have a nice picture to print, I prefer have it from film and do it on the 
darkroom than in inkjet printing.

Cheers
Lluis




> El 4 juny 2017, a les 9:30, Jayanand Govindaraj <jayanand at gmail.com> va 
> escriure:
> 
> Dan,
> Oh, I am sure of that!
> 
> I feel that digital output is still better than darkroom output, though,
> even for B&W. IMHO, there is simply no comparison, in the complete
> workflow, from capture to print. As I said, others may have different
> opinions and I respect that - I know Lluis does, and we have discussed this
> many, many times privately, and in the end we just amicably agree to
> disagree, and go on with what suits us individually! However, I find the
> exchange of views very useful, leading to invaluable insights.
> 
> Cameras are tools for me, and digital cameras, Fuji & Nikon, one for street
> and one for wildlife, are my tools of choice at this point of time. The
> Fuji GFX50S is tempting, and exerting a siren's song,  but I cannot see how
> I have any use for it that makes it superior to my existing gear, for my
> type of photography, and the sizes I print at present. A printer that
> accepts 24" wide paper, instead of 17" that my Epson 3885 uses might be a
> better choice right now!
> 
> I have a fair amount of film camera equipment gathering dust on my shelves
> and in the bank locker, more, I am sure, than most of the most committed
> film shooters around - Leica IIIF and IIIG, Nikon F Apollo. F2AS,
> F3Titanium, F4, F100, Canon and Nikon Rangefinders, Rollei TLRs, Mamiya
> 645E - except for the Leicas, all of them were originally bought by my
> family - uncles, aunts, father, myself - and finally found their way to me.
> Most of these are with me because I did not have the wit (or the heart) to
> sell them in time. This after selling most of my Leica film equipment in
> London a few years ago (M3, M2, R6.2 and 10 lenses)!
> 
> Pens and watches, on the other hand, are hobbies, passions which make them
> an emotional issue, while cameras are just a utilitarian one! I am
> particularly fond of JLR and IWC in watches, and Pelikan as well as the
> Japanese trio, Namiki/Pilot, Sailor and Platinum as far as pens are
> concerned, and primarily these are what I use.
> 
> Cheers
> Jayanand
> 
> On Sun, Jun 4, 2017 at 12:30 PM, Dan Khong <dankhong at gmail.com> wrote:
> 
>> Jayanand
>> 
>> You might be more analog oriented than you think.
>> 
>> I actually like collecting and using old fully mechanical watches and 
>> apart
>> from the antique look, almost all that I have are accurate and they run
>> like clockwork. I also write with fountain pens in my work and cheap ones
>> perform really well. So it looks that we have much in common.
>> 
>> Dan K.
>> 
>> On Sun, Jun 4, 2017 at 11:15 AM, Jayanand Govindaraj <jayanand at 
>> gmail.com>
>> wrote:
>> 
>>> I disagree, I think film is nowhere as good as digital, but to each his
>>> own.....:-) (Hey - I use mechanical watches and fountain pens!!!)
>>> 
>>> Cheers
>>> Jayanand
>>> 
>>> 
>>> On Sun, Jun 4, 2017 at 3:18 AM, lluisripollphotography <
>>> lluisripollphotography at gmail.com> wrote:
>>> 
>>>> Gerry, Dan
>>>> 
>>>> I?m agree of course, but film is not only nostalgia, it is better
>> quality
>>>> than pixels technologies?
>>>> 
>>>> Cheers
>>>> Lluis
>>>> 
>>>> 
>>>>> El 3 juny 2017, a les 23:23, Dan Khong <dankhong at gmail.com> va
>>> escriure:
>>>>> 
>>>>> Lluis
>>>>> 
>>>>> Film and darkroom is far from dead. Ilford is revived as
>> Harman-Ilford.
>>>>> Kodak still makes films both for still photography and
>> cinematographic
>>>>> industry. Seems Star Wars and latest Bond movie were shot on film.
>> Once
>>>> in
>>>>> a while, I set up my darkroom (bedroom for the dry part and
>> connecting
>>>>> bathroom for the wet part) and enlarge a dozen prints. Nothing beats
>>> the
>>>>> smell of fixer for nostalgia.
>>>>> 
>>>>> Bests
>>>>> 
>>>>> Dan K.
>>>>> 
>>>>> On Sat, Jun 3, 2017 at 6:34 PM, lluisripollphotography <
>>>>> lluisripollphotography at gmail.com> wrote:
>>>>> 
>>>>>> Jayanand,
>>>>>> 
>>>>>> The best B&W is from the darkroom, now I?ve been back I regret to
>> have
>>>>>> spent so much time and money on digital?.
>>>>>> 
>>>>>> Cheers
>>>>>> Lluis
>>>>>> 
>>>>>> 
>>>>>> 
>>>>>>> El 16 maig 2017, a les 5:05, Jayanand Govindaraj <
>> jayanand at gmail.com
>>>> 
>>>>>> va escriure:
>>>>>>> 
>>>>>>> If it catches anybody's fancy!
>>>>>>> 
>>>>>>> https://www.kickstarter.com/projects/175814937/filmlab-an-
>>>>>> app-for-viewing-and-digitizing-analog-f
>>>>>>> 
>>>>>>> Cheers
>>>>>>> Jayanand
>>>>>>> 
>>>>>>> _______________________________________________
>>>>>>> Leica Users Group.
>>>>>>> See http://leica-users.org/mailman/listinfo/lug for more
>> information
>>>>>> 
>>>>>> 
>>>>>> _______________________________________________
>>>>>> Leica Users Group.
>>>>>> See http://leica-users.org/mailman/listinfo/lug for more
>> information
>>>>> 
>>>>> _______________________________________________
>>>>> Leica Users Group.
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>>>> 
>>>> 
>>>> _______________________________________________
>>>> Leica Users Group.
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>>>> 
>>> 
>>> _______________________________________________
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>>> 
>> 
>> _______________________________________________
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>> 
> 
> _______________________________________________
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Replies: Reply from eddy at altphoto.be (Eddy Willems) ([Leica] Film Lab)
Reply from Frank.Dernie at btinternet.com (Frank Dernie) ([Leica] Film Lab)
Reply from jayanand at gmail.com (Jayanand Govindaraj) ([Leica] Film Lab)
Reply from tmanley at gmail.com (Tina Manley) ([Leica] Film Lab)
In reply to: Message from jayanand at gmail.com (Jayanand Govindaraj) ([Leica] Film Lab)
Message from lluisripollphotography at gmail.com (lluisripollphotography) ([Leica] Film Lab)
Message from dankhong at gmail.com (Dan Khong) ([Leica] Film Lab)
Message from lluisripollphotography at gmail.com (lluisripollphotography) ([Leica] Film Lab)
Message from jayanand at gmail.com (Jayanand Govindaraj) ([Leica] Film Lab)
Message from dankhong at gmail.com (Dan Khong) ([Leica] Film Lab)
Message from jayanand at gmail.com (Jayanand Govindaraj) ([Leica] Film Lab)