Archived posting to the Leica Users Group, 2013/11/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Greg the first works well for me for dramatic back alley grit. The apparently hooded graffiti artist fits really well. Nice seeing. For the second the building shapes don't really justify the dramatic stretch. The tree further in frame (not the edge one) looks like it has some real potential in providing interesting organic curves and shapes. If I was paid to be your editor :-0 ;-) I would say that this one was a nearly...and don't show stuff with un-corrected technical issues and start by pointing those out! I think that your third is excellent and appealing. It makes me want to know the story...just where are those people going and what is to happen. I like your fourth very much as well. The still figure in the rushing motif is really well done. The two figures emerging from the door of the train are wonderful! I might make a tiny fix by reducing the prominence of the small red sign at top. It drags my eye. Cheers Geoff http://www.pbase.com/hoppyman On 9 November 2013 12:09, Greg Rubenstein <gcr910 at gmail.com> wrote: > Returned from Prague a few days ago and am starting to work with the > images. These are first drafts. All were shot with a 21/3.4 on an M9-P. > Should have taken my M Monochrom, but wanted to travel light. Oh well. Next > time . . . > > Am aware the one labeled "Prague Textures" needs work in the upper-left > quadrant between the tree limbs for a more consistent sky (very apparent > when viewed large). > > Trying to find the "right feel" for the images. Feel these are close; > critiques, comments and dissections on- and off-list welcome. Appreciated, > in fact. > > http://gallery.leica-users.org/v/gcr910/A+few+from+Prague/ > > Thank you in advance for looking and commenting. > > Greg Rubenstein > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information >