Archived posting to the Leica Users Group, 2010/09/02

[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]

Subject: [Leica] Candles Light
From: lluisripollquerol at gmail.com (Lluis Ripoll Querol)
Date: Fri, 3 Sep 2010 00:15:07 +0200
References: <2C121AD4-6DE1-4E5B-AF09-7BCBEFB0391B@gmail.com> <A32CB62300C74330BC32F33953497E0D@jimnichols> <A732CCC9-B422-4906-93E0-7A439B299E65@gmail.com> <229D4E527A114EF2AB4398FA69D95EE2@syneticfeba505> <AANLkTin3s3zFtMf67Fr2OXcNM8w_=VPO=_cGWp+ky3mD@mail.gmail.com>

Great shot Tina, grain no disturbs at all

Saludos
Lluis


El 02/09/2010, a las 21:40, Tina Manley escribi?:

> I agree, Ted!  Here's one at 3200 where it was really so dark that I
> couldn't see it.  I can see more in the photo than I could when I  
> was there.
>
> http://www.pbase.com/tinamanley/image/121090460
> That happens a lot, though, with the photos I shoot at 3200.  The  
> 3200 range
> is when I miss film.  I don't think noise in digital is as effective  
> as
> grain in film, but there are things you can do with it in PS to make  
> it look
> like grain!
>
> Tina
>
> On Thu, Sep 2, 2010 at 3:21 PM, <tedgrant at shaw.ca> wrote:
>
>>
>> Lluis Ripoll Querol showed:
>> Subject: Re: [Leica] Candles Light
>>
>>
>> http://gallery.leica-users.org/v/luisrq/Sitges/L1015411w.jpg.html
>>>> M8, Elmarit 28/2.8 ASPH, ISO 320
>>>> Thanks for looking, your C&C are welcome <<<
>>>>
>>>
>> Good on you Lluis for shooting it!
>>
>> Here we have another interesting photograph of... "IF YOU CAN  SEE  
>> IT, YOU
>> CAN SHOOT IT!" By candlelight in this situation as a comparison  
>> with an ISO
>> of 320 instead of the 3200 we saw in the street night series by  
>> nicolas
>> vigier : Subject: [Leica] "Walking in Antwerpen at night."
>>
>> The point of both is.... if you can see a subject you can shoot it!  
>> Or at
>> least have a go at it and capture a frame you wouldn't have if you  
>> stuck to
>> the "I don't want any grain group." Besides in many cases the  
>> concern about
>> grain is only in the eyes of maybe one viewer.
>>
>> 0r hundreds of others might say... "WOW! Neat shot!" commenting on  
>> the
>> content, and light levels where the photos were taken and they find  
>> them
>> interesting.
>>
>> Here we have an example of ISO 320, hardly pushed image at all.  
>> Then we
>> jump to 3200 and both are quite excellent given the light  
>> conditions. I've
>> never hesitated pushing the ASA of film, colour or B&W, or digital  
>> if that
>> were the only way I could capture the real life look of the  
>> situation. And
>> yes the colour balance might go a tad wild at times, but in most  
>> cases it
>> was accepted as "WOW! How did you do that without lighting the  
>> scene?"
>> Digital is generally a piece of cake if you leave the camera on  
>> AUTO WB!
>>
>> "No problem, I never paid any attention to the rules and  
>> regulations and
>> shot it!" Where as a techie type would probably be wringing their  
>> hands and
>> trying all kinds of "colour balancing filters" and test shots to  
>> the extent
>> that by the time they finish all that stuff, my film was being  
>> processed.
>> :-)
>>
>> Sure I used tungsten film when that was the key lighting but that's  
>> just
>> common sense shooting and anyone would do the same thing.
>>
>> But then I and many of the accredited photographers had no problem  
>> at the
>> 1988 Winter Olympics in Calgary with "Kodachrome 200" being pushed  
>> to ASA
>> 500! Like WOW!!! After the KODAK technical people told us to shoot  
>> it at ASA
>> 500 and they processed it accordingly. Incredible results like you  
>> wouldn't
>> believe! Now film at these games is supplied free to accredited  
>> shooters as
>> well as the processing.
>>
>> However? When the games were over and I sent 10 rolls of pushed  
>> Kodachrome
>> to KODAK Canada in Toronto for processing, the processing charge  
>> was $50.00
>> per roll! OUCH!  However I happened to be shooting for a very cool  
>> client
>> and they just shrugged their shoulders and said..."The end result  
>> is the
>> most important thing, so what's $500 bucks for processing?" I might  
>> say it
>> was a client I always enjoyed assignments with. :-)
>>
>> But pushing ISO is no big deal as long as you get the results and an
>> acceptable image quality you can be happy with. So the next time  
>> yer in
>> squeaky light don't hesitate "JUST DO IT AND BE PLEASANTLY  
>> SURPRISED!" :-) I
>> mean ater all you've seen the results in the past few days of 320  
>> and 3200.
>> It's no big deal, shoot from the gut and not the worrisome brain! ;-)
>>
>> cheers,
>> Dr. ted
>>
>>
>> _______________________________________________
>> Leica Users Group.
>> See http://leica-users.org/mailman/listinfo/lug for more information
>>
>>
>
>
> -- 
> Tina Manley, ASMP
> www.tinamanley.com
>
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information



In reply to: Message from lluisripollquerol at gmail.com (Lluis Ripoll Querol) ([Leica] Candles Light)
Message from jhnichols at lighttube.net (Jim Nichols) ([Leica] Candles Light)
Message from lluisripollquerol at gmail.com (Lluis Ripoll Querol) ([Leica] Candles Light)
Message from tedgrant at shaw.ca (tedgrant at shaw.ca) ([Leica] Candles Light)
Message from images at comporium.net (Tina Manley) ([Leica] Candles Light)