Archived posting to the Leica Users Group, 2010/02/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Well, I'll just observe there are a whole lot of different contexts in which you can judge this photograph (standing alone? part of a story? as part of your own/the viewer's own background?) so there is probably no completely right or wrong judgment. I might add I looked at some of her current and past photos and writing re: Haiti on the NYT website yesterday and I was very impressed with her work and I can also see (again, in the context of her shooting) why she might like this one a lot. --Bob ==On Mon, Feb 15, 2010 at 9:48 AM, Tina Manley <images at comporium.net> wrote: > Thanks, Bob. > I had rejected it for the same reason, but it was one of Maggie's favorite > photos. ?She said the mother's look just added to picturing her > responsibilities and the fact that her work is never done. ?In that case, I > guess this would be an example of factual concerns trumping aesthetic ones > (for Maggie, anyway)? > > Tina > > On Mon, Feb 15, 2010 at 10:24 AM, Robert D. Baron <rbaron at > concentric.net>wrote: > >> However, the outward gaze of the mother is very distracting to me. ?It >> leads me straight out of the photograph. ?That's very unfortunate and >> for that reason I'd put it in the reject pile, unless it is part of a >> story, series or flow that justifies its inclusion. >> >> --Bob >>