Archived posting to the Leica Users Group, 2010/02/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Quoth the Tina Manley : > Thanks, Bob. > I had rejected it for the same reason, but it was one of Maggie's > favorite > photos. She said the mother's look just added to picturing her > responsibilities and the fact that her work is never done. In that > case, I > guess this would be an example of factual concerns trumping > aesthetic ones > (for Maggie, anyway)? Or a different aesthetic standard, in any event. I had the privilege of learning from Ms. Steber at a Missouri Workshop 15-odd (some of them VERY odd) years ago. One of the main things I learned from her specifically was the value of complex, multi-centered story-telling photos as opposed to the monopolar "one look and you've got it" stuff we're surrounded by (and that my editors invariably go for). I learned to admire such things, but I'm not quite as good at capturing them as I'd like. I think it's the difference between book/magazine long-form photojournalism and what passes for News Photography in the age of online 3-second flash timers. There's precious little "photojournalism" in the mainstream any longer; we're "content providers" whose task is not telling stories, but selling newspapers/websites. </rant>