Archived posting to the Leica Users Group, 2008/09/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 10:10 PM 9/28/2008, you wrote: >http://online.wsj.com/article/SB122229683747573089.html#project%3D%26s%3D%26articleTabs%3Darticle > >Cheers >Jayanand Lord, help me. I really don't get it: "Sherrie Levine After Walker Evans? was the title of a 1981 exhibition shown in New York at the newly opened Metro Pictures Gallery. On display was a series of famous Walker Evans photographs which Levine photographed directly from an exhibition catalogue. .....Levine?s gesture of reproduction lets itself be interpreted in a variety of ways: it represents a gesture of appropriation and at the same time dismisses every creative act. By exhibiting the rephotographed Evans photographs in an art gallery, she quotes the museum-related status of photography, which since the 1970s enthroned documentary and scientific photography as well, and in doing so makes this process visible. In the end, she also makes current the themes of Evans? photography (one can establish a reference to the effects of Reagan?s politics on the lower classes of society)." Photography about photography? Why not just show photography? Why does everything have to be an "installation" or have a gimmick? Tina Tina Manley www.tinamanley.com