Archived posting to the Leica Users Group, 2007/04/17

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Subject: [Leica] integrity ?
From: hoppyman at bigpond.net.au (G Hopkinson)
Date: Tue Apr 17 18:48:48 2007
References: <7.0.1.0.2.20070417203113.00fb0e90@comporium.net>

Tina, thank you for posting the link to an extremely interesting and thought 
provoking article.
For my viewpoint on what is acceptable for photojournalism, We are all aware 
of examples where there is overt manipulation whether
for propaganda or art. However, in my opinion the simple presence of a 
photographer, altruistic or otherwise will influence people's
actions. In extreme someone might fire their weapon. More mundanely, simply 
smiling for the camera or dressing up because you might
be seen at that glamorous social event. That is not to condemn nor express 
opinion on photojournalism's worth. Nor to make any value
judgements.
How the photographer might choose to depict people or a natural event are 
two other separate issues, I think.

Cheers
Hoppy

-----Original Message-----
Subject: Re: [Leica] integrity ?

At 07:17 PM 4/17/2007, you wrote:
>I will have to spend some time pondering if removing a distraction 
>from a photo that does not alter the truthfulness of the image is 
>wrong.  A removed set of stray legs or a telephone wire does not 
>seem to me as a way of changing the truth.  Something to think about 
>for awhile....

An interesting article about truth in photographs:

http://zonezero.com/magazine/articles/mraz/mraz01.html

What do you think?  Does previsualization mean that the photograph 
was manipulated subconsciously?  I don't think so. I might imagine a 
photo that I would like to take of a family in Central America, but 
that would only mean that I would only look for situations to take 
that photo.  I would never move people into position or change 
circumstances to make the photo happen when it wouldn't have without 
my being there.  Moving people into position or suggesting situations 
or adding lights or manipulating photographs in the darkroom goes way 
beyond previsualization, to me, and would not be acceptable for 
documentary or news photographs.  I think many so-called documentary 
photographs today should be reclassified as art photographs if the 
situations were manipulated or directed by the photographer.  That is 
not documentary or news photography.

Just my 2 cents.

Tina

Tina Manley, ASMP, NPPA
http://www.tinamanley.com 


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In reply to: Message from images at comporium.net (Tina Manley) ([Leica] integrity ?)