Archived posting to the Leica Users Group, 2005/04/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]The original manuscript of Henry Miller's The Turn of the Screw would be a very valuable manuscript indeed. ----- Original Message ----- From: "Brian Reid" <reid@mejac.palo-alto.ca.us> To: "Leica Users Group" <lug@leica-users.org> Sent: Friday, April 29, 2005 1:28 PM Subject: Re: [Leica] Re:digital transformation > >> Somewhere, somebody always wanta an original. > > In 1978 I was visiting the British Museum. Waiting in line for lunch in > the little cafeteria there, I looked in the glass case that they had > thoughtfully placed to help us line-waiters forget about the delays. The > case contained, primarily, original manuscripts of famous books, including > a section of the King James Bible, Henry Miller's The Turn of the Screw, > an Edgar Allen Poe story, and a few more that I don't remember. > > I was in London taking a break from writing my doctoral dissertation, > which was on computerized word processing and document production. At that > time I knew that in 25 to 50 years there would no longer be such a thing > as an "original" in the world of publication. I daydreamed about what they > might have in that showcase in the year 2003, some 25 years in the future. > A floppy disk holding a draft of some great book? Laser printer output of > a draft of a poem? > > The showcase is gone. They couldn't figure out what to put in it, either. > By and large the world of printed books has learned to live without the > concept of "original manuscript". My guess is that the world of > photography will eventually learn it too. > > One of the most difficult characteristics of the digital world is that a > copy of a digital artifact is indistinguishable from the original. This > dilemma has kept Microsoft and Adobe busy for years engineering schemes > for sofware activation, so that it's not enough to have a copy of the > software, you must also receive electronic permission to use it. That's > how they implement the notion of "original". > > Since the "original" of a digital image is a bunch of bits, and all visual > renderings of it are copies, collectors will have to spend their money on > something else. Me, I want Kyle Cassidy to autograph a big print of a > portrait of Colleen. She's an original, and his signature would be an > original; to heck with the provenance of the print. > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information >