Archived posting to the Leica Users Group, 2004/05/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> I'm not really disagreeing with you. Forget about 4.5 fps vs 8 fps, > simply the lack of autofocus makes the R series DOA with 90% of > PJ's. If I may.... As a full time freelance PJ I DO have the odd idea (okay, maybe several odd ideas) on the topic. Why is the R series DOA for me? Several reasons: 1. I own six EOS bodies and lenses covering the range from 14-400mm, plus flashes, cords, other mount and camera specific accessories. Off the top of my head we're talking about a cash investment on the close order of, say, 25 grand? 30? Cost to switch to R? double, maybe? If I WANTED to, I couldn't. The economics aren't there. (Same thing applies to staff: Those few staff jobs that still supply pool gear supply N or C; never seen one supplying R.) 2. Finding someone who can repair R's, in the Western Hemisphere at least, is problematic. Yeah, I can ship them off, if I want to trust somebody and have my cameras out of my hands for 2 weeks or more. This ain't gonna happen either. 3. I've never yet seen an R in the hands of a professional PJ at an event. This matters not from a lemming reflex but because there's an element of "cover me" here -- if in the middle of something a cable croaks or a flash dies, I can frequently bum one from the guy beside me (or cover his butt if needed). Obviously this only works if the gear's compatible. (yes, I carry spares, and no, sometimes that's not enough.) 4. Every workshop/pj convention/course I've ever been to was sponsored heavily by, among others, Canon or Nikon or both. This tells me these guys WANT my business, and they want it SERIOUSLY. The top end cameras in the Canon line were designed FOR working pj's on several levels; I'm told the Nikons were too. It matters. I don't have time to think about my cameras, I'm busy thinking about my pictures... and I want a camera designed by someone who knows what I need. I don't know that Leica's ever even thought about the marketing on that level. This isn't to take anything away from the R, but ergonomics be damned, the guy who designed the 1n got inside my head to do it. First camera I've ever used that grew into my hand in a matter of about four seconds. (And the F1N's I used when I started had something of the same thing...) The only advantage Leica would have would be the quality of the glass... and in the PJ world, that's somewhat secondary. The elements of the publishing process downstream from the photographer have a great deal more effect than the absolute quality of the image. I can shoot with anything from an Olympus Stylus to a Canon to a Contax to a `Cron, on anything from Velvia to 1600 press. It'll look pretty much the same when it hits page 1. Okay, for the magazines you MIGHT see some difference, but... think I'm going to get paid a dime more because the shot's got `cron bokeh as opposed to Canon blur? Leica abandoned the PJ SLR market probably sometime in the 60's and due to installed base and the realities of publishing, it's not worth their while to go after it again. PJ's tend to be willing to sacrifice cutting edge fancy for old reliable, and although the M has mystique, the R doesn't. Deborah Copaken covered it pretty well... The Leica is the Porsche of cameras... if you have one, it means you're serious, you're dedicated, you're not screwing around... but you probably don't use it to go grocery shopping. Albest, Clayton --- R.Clayton McKee http://www.rcmckee.com PhotoJournalist rcmckee@rcmckee.com P O Box 571900 voice/fax 713/783-3502 Houston, TX 77257-1900 pager 281/510-3588