Archived posting to the Leica Users Group, 2004/04/19

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Subject: [Leica] in search of a portrait f2 90
From: grduprey at rockwellcollins.com (grduprey@rockwellcollins.com)
Date: Mon Apr 19 07:19:25 2004




Daniel

That's not flare.  My 90/2.8 Tele-Elmarit would have been completely wiped
the image out in that situation by comparison.  I just got it back from
Sherry last week and the first roll shows a remarkable improvement.  She
claims to have just cleaned the elements and adjusted everything to meet
specs, at least that is what she charged me for.  But now it would appear I
can use it with less worry of loosing the photo to flare. ;-)

My favorite lens for portraits and flower shots is my 90/2.8 Elmarit R.  No
flare and great color saturation and also excellent sharpness.

Gene


I use the 90/2.0 Summicron (rangefinder) for portraits when
the lens comes along as a "me too".

When I travel, I don't like to carry two systems, so it's
the Leicas (usually) or the Nikons (F3's) if I think I'll
need longer focal lengths.

Given the choice, with both of them available, I would
probably go for the 85/2.0 Nikkor. It is a beauty.

I think portraits can be other things than
head-and-shoulders, so the 24, 35 and 50 work pretty well
too. Wish I had a 24 for the Leicas, but the 24 Nikkor works
just fine.

There is a disadvantage to the 90/2.0 old Summicron:

http://www.leica-gallery.net/dlridings/image-64024.html

It will flare at you even from the reflection of light on a
newspaper on the table. I took that one just last week at
the breakfast table when an old friend visited.

Daniel

On Fri, 16 Apr 2004, Adam Bridge wrote:

> On 4/16/04 <bdcolen@earthlink.net (B. D. Colen)> thoughtfully wrote:
>
> >Yup - If for some bizarre reason you really want to do your portrait
> >shooting with a rangefinder rather than a reflex, go with the 90
> >Summicron - It's plenty sharp and contrasty, but not overwhelmingly
> >either, which makes it an excellent portrait lens. I briefly owned the
> >90 APO, and I sold it and went back to the old war horse - and haven't
> >regreted it for a moment.
>
> Bizarre? Well for me it has become the ONLY camera I use for portraiture.
It's
> small, doesn't intimidate either the subject or me, and since everything
I shoot
> qualifies as "environmental" in that I don't use lights or a studio the
> excellent wide-open glass works well for me. And seeing beyond the frame
lines
> helps me remember to change my position.
>
> Sometimes I lose shoots because I move and forget to focus. I do that
less and
> less.
>
> Thanks for the datapoint, however bizarre my choices.
>
> Adam
>
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