Archived posting to the Leica Users Group, 2001/12/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Dave Myers asked: >Mostly I just lurk and look, but I can't just sit here without >congratulating you on these wonderful photos -- some of the best I've seen >on the LUG. May I ask some questions? What film did you use? Lenses? And >please tell us your flash technique. Great lighting! Inquiring minds want >to know. Hi Dave -- I have my flash equipment listed on my "studio lighting on the cheap" page -- http://www.asc.upenn.edu/usr/cassidy/pix/studio/ it's a couple of $99 monolights with no real control over their power -- that's managed by either a) moving them forward or backwards, b) bouncing them off of something, or c) hanging bedsheets over them -- i can't say i recommend it for versitility, but i did only pay $300 or so for a pair of lights, softboxes and a slave. i need to figure out some better way to trigger them -- i'm still learning, and not terribly quickly, but it's the bit about getting down there in the studio and snapping away that helps. my studio is only about seven feet deep, which leaves usually about 4 feet between model and photographer, so i have to use at least a 35mm lens if i want anything close to full length shots. i can use a 50 for closeups or torso shots. for these shots, i had two basic setups, first one softbox aimed at the wall, away from the model (the softbox was actually about a foot away from her, pointed at a wall about 3 feet away) and i had the slave taped up in the rafters (the ceiling's only about seven feet high, so i need to recruit short models) and then i had some paper taped underneath it to cut down on the light, hopefully giving the background some illumination and in the other series, i had one softbox aimed at the opposite wall and nothing overhead (cause i couldn't get the slave to trip actually, not for any artistic reasons. i realized, and george day articulated, that i need at least some reflectors to bounce a little more light into the model's face. actually, i need a lot of work, but i'll figure it out eventually.... keep plugging along, right? thanks for your interest, kc - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html