Archived posting to the Leica Users Group, 2000/05/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]My understanding is that the slower the film the higher the contrast (as a general rule of thumb) so logically you would be better with a 400 iso film such as Tri-X. If you find the film too fast then rate it at 200 and underdevelop by about 25%. This has always worked well for me. The alternative may be a ND filter but that will get us into a whole new discussion about which brand is best etc. ;>) The printable exposure latitude on the chromogenic films (such as T-max CN400) is very good and you should be fine at 200 with them as well. I find that this has the added advantage that I can usually find a place to process them well where ever I am travelling and thus I avoid bringing exposed film back through the x-ray machines. I carry neg pages with me as part of the luggage so that I can get it cut into 6's just like I like. Gerry - ----- Original Message ----- From: <ARTHURWG@aol.com> To: <leica-users@mejac.palo-alto.ca.us> Sent: 15 May 2000 15:03 Subject: Re: [Leica] B&W in high contrast situations > What's the best way to shoot black and white in bright mid-day light? I tried > using Ilford Pan F ISO 50 in that situation (Rajastan) recently and came > away with much to much contrast and worse, completely blocked shaddows. > What's the best film to use in this situation? What's the best exposure > strategy? How do you "pull" film? Is that a good way to go? Thanks for your > help. Arthur.