Archived posting to the Leica Users Group, 1999/06/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>Marc James Small <msmall@roanoke.infi.net> wrote: > >> And I simply fail to understand the frantic love for >> wide-angle lenses, other than that they radically distort >> the background. > >And as for some of the shots, sheesh. Nearly all the wide >angle ones hope to cover up their compositional laziness by >the gee-whiz distortion... lugnuts, i once again find myself playing the devil's advocate. while my favorite focal length is the 'normal' 50mm, i do own and enjoy using wide-angle lenses. in addition to the summicron 50, i currently have the summicron 35 asph and the elmarit 24. among the nikon wide-angles i own are the 35, 28, and 20. while i do find wide-angle distortion unpleasing, and try to avoid or minimize it whenever possible, i do feel that, used intelligently, they can create images of tremendous impact without necessarily crying out 'this shot was taken with a wide-angle lense!' to my mind, the wider focal lengths seem to be most useful for two kinds of shots - on the one hand, drawing attention to a dominent foreground element while emphasizing its spatial relationship with the background and, on the other, giving a sweeping 'vista' type shot, a scene seen from a distance including a vast amount of visual information, i'm sure they can be used to great purpose in many other instances and for many other reasons. to use a wide-angle indiscriminately (and this is true of all focal lengths, in my opinion), for any and all shots, would be, in my opinion, irresponsible, demonstrating a lack of esthetic judgement, or indicative of staking out a single photographic terrain (like hcb) for which a single focal length is deemed most appropriate. to use a musical metaphor, you could say that the various focal lengths are like the different stops of an organ, or the different members of a single family of instruments (like the sopranino, soprano, alto, tenor, baritone, bass saxophones, for examples). while i might not tire of listening to charlie parker play just the alto sax, i am glad those other horns are there, and enjoy them every bit as much. they broaden the spectrum of what it is possible to say with that particular voice. guy