Archived posting to the Leica Users Group, 1998/08/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Erwin, Thanks for whetting our appetites regarding your findings for the five 50mm R and M lenses. As you know, I am particularly curious about the performance in the center of the field (resolution of fine details and contrast) of the five lenses, especially the new 50/1.4 R, and await your final report. By the way, what is the "zonal" region? Is this the area between the center and far corners of the image? John - ---------- >From: Erwin Puts <imxputs@knoware.nl> >To: leica-users@mejac.palo-alto.ca.us >Subject: [Leica] lens evaluations >Date: Sun, Aug 23, 1998, 9:16 AM > >Recently a long quote by Jim Williams (Contax G fame) hs been circulated on >the LUG. I at first resisted temptation to react. Still some comment is >appropriate I assume. First of all his text is full of statements, not a >single one prooved or explained. He is also demagogially clever ("superb" >Zeiss lenses versus "computer designed" Summicrons). It is however not my >goal to refute Mr Williams. He seems convinced of his opinion and so be it. >At stake is the reputation of Leica or its "reputational myth-making". And >the large group of Leica users who "because of their own fixed >beliefs in Leica superiority -- certainly weren't about to disabuse the >masses of their illusions". >So are leica lenses superb or just front runners or me-too products. Were >leica lenses unsurpassed in the past or not? >From my postings (and test result) you will know that I am not a person to >give super high marks to older Leica lensgenerations. But I am also not >inclined to give older Zeiss or Japanese very high marks. The Planar 2/50 >for the Contarex, once described as of unsurpassable optical quality, is >very good but not state of the art anymore. And so is the seven element >Summicron. >Many Leica lenses are excellent and often the number one for its fovcal >length and specs. But leica also had and has lesser designs, quite apt for >its task, but not state of the art: the 1,4/35 Summilux and the Summicron 2/90. >The problem with all these generalisations is this: they assume one fixed >evaluation standard along which all lenses can be measured and given a >simple merit figure (be it a number, a word or a range of stars). >This is quite wrong and even more importantly it misrepresents the reality. >You still owe me the Summilux-R report. Why? I have all bench results, >hundreds of comparison transparancies and many MTF graphs. So it should be >easy to make a comparison and a clear ranking? Ok, let us start: >I compared the Summicron-M and R and the Summilux-R (old) and new and the >Summilux-M. That gives a bit body to an evaluation and it brings out small >differences, which may not be important for a star ranking, but are >important for real life shooting. >Well overall the Summicron-M is slightly ahead of its R-sibling. At full >aperture the M has a bit more contrast and its ability to record extremely >fine details with outstanding clarity is greater. Also the performance of >the M extends over a larger image circle than does the R, which is a bit >weaker in the corners. >The Summilux-R (old) is of low contrast and the recording of fine detail in >the center is very good, but drops off fairly quick (after an image circle >of 6mm radius). Stopping down the quality improves slowly until at f/5,6 to >f8,0 where we can find excellent quality. >The new Summilux-R has a high contrast at full aperture with fine to very >fine detail excellently rendered over the whole image field. Stopping down >one stop brings image quality better than its predecessor at f/4,0 and on >stopping down image quality rapidly improves to a new optimum level at f/5,6. >The Summilux-M is about equal to the new R in the center (6mm radius) but >stays behind in the outer regions. Stopping down improves the contrast and >the clear rendering of very fine detail. At f/5,6 we have excellent >quality. The Summicron-M at the same aperture could be qualified as of >exceedingly high imagery. > >Now I do hope that in the context of these descriptions designations like >"very fine details" and "outstanding clarity" make sense and can be related >to photographic practise and expectations of image quality. To be brave and >reckless for once I would rank the Planar 1.4/50 for the Contax RTS as >above the old Summilux-R but below the new one. > >Now how should we rank these five lenses based on the text above? >Summicron-M is still the best, followed at a little distance by the >Summicron-R, which is closely followed by the Summilux-R new. This lens in >some important areas inches ahead of the Summilux-M. >The Summilux-R old is a bit lagging in all areas and outdistanced by the >new Summilux-R. >This would be Ok as far as my *current* set of evaluation criteria will >allow. If you put different weightings to the several components of image >quality (as defined by me, mind you) the ranking and the evaluation could >be different. The clear and contrasty rendition of very fine detail in the >zonal region at the wider apertures is for me a very important componant as >it will define the capacity of big enlargements from negatives (or >trannies) taken in adverse luminance conditions. Most testers I know of >(yes also CdI) are looking for different aspects of image quality. >The overall ranking might or might not be the same. But a simple star >rating system (the Summicron-M gets 5 stars from CDI, the Summicron-R gets >4 and the Summilux-M gets 3) does not give insight into the finer points of >the differences in optical performance. It will also not tell you how the 5 >or 4 or 3 stars have been put together. >If we now would try to compare lenses from several reputable companies over >long ranges of lenses and over several decades with different and often >non-reproducable test paramaters from many different persons who also >change their evaluation criteria (or even more worse did not change their >criteria) we would be insane. At least I would be insane. > > >Why then did I start with telling you that I have not yet made my final >report. Because I do conduct tests at several distances ( 1 meter, 3 >meters, 5 meters and 10 meters or infinity). It is quite logical that at 1 >meter the capacity of rendering fine details is different from the 10 meter >distance if you are looking for the *same fine details*!!. At one meter we >would need let us say 10 lp/mm of good contrast to record these details. At >5 meter we need 50lp/mm to record the same details with the same contrast >and clarity. As 50lp/mm represent unbelievably fine details that can not >be seen in a transparancy projected to a 4 meter image and viewed at close >range we must carefully reflect how to evaluate performence differences at >this demanding level of image quality. Now the 5 lenses mentioned above >have different characteristics in this respect and I just need time and >some study to phrase my conclusions. > > >Erwin