Archived posting to the Leica Users Group, 2020/10/26

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Subject: [Leica] Different walks ( Original Raw compared to the edited image)
From: lluisripollphotography at gmail.com (Lluis Ripoll)
Date: Mon, 26 Oct 2020 20:12:49 +0100
References: <19E94EF8-267E-4128-8C7A-4B51E36D7565@gmail.com> <CA+3n+_nXOZLkyeEGVyf-iO_XAufqYu0aTitbNznitUgr5aRg=Q@mail.gmail.com> <95180C92-5E49-4FBA-8451-97203BD0D03F@gmail.com> <CA+3n+_=DX66u=jWVjQZSuCiXAQpgX28_7WrruH-v45ih9LFz0A@mail.gmail.com> <dab4f8f9-ea54-2cdf-4506-46c10ef0b4c4@summaventures.com>

Thank you Peter, for me too.

About the cropping I?ve posted the original RAW scanned negative, as you can 
see there is just a very, very small cropp.

<http://gallery.leica-users.org/v/luisrq/Barcelona/2020F100111RAW.jpg.html>

the edited image

<http://gallery.leica-users.org/v/luisrq/Barcelona/2020F100111.jpg.html>

Lluis


> El 26 oct 2020, a les 18:24, Peter Dzwig <pdzwig at summaventures.com> va 
> escriure:
> 
> Don,
> 
> I like #2 as well, but IMHO the light around the senorita and especially
> on the foreground means that it's a careful crop.
> 
> Peter
> 
> On 26/10/2020 16:07, Don Dory via LUG wrote:
>> Philippe, your point about isolation being portrayed with the intent of 
>> the
>> subjects to remain a part of the culture is well taken.  This is an
>> arguable artistic point; imagine "Morning in the park" cropped tightly to
>> the se?orita and her shadow back to the right.  The tightness would be
>> similar to the Feinenger image of the woman at the corner of a building so
>> the se?orita is walking out of the frame with the background including the
>> people on the bench almost disappearing into the blur.
>> 
>> Seeing the artists vision and then imagining the situation in different
>> frames is why art is so important for a culture and for a culture to
>> communicate to others outside what it is to be inside.
>> 
>> On Mon, Oct 26, 2020 at 10:06 AM Philippe via LUG <lug at leica-users.org>
>> wrote:
>> 
>>> That?s a different type of photos, Don is right.
>>> 
>>> But I like it to be able to see these people in a larger frame. These are
>>> not portraits. Nor Plans Americains. They are people in isolation trying 
>>> to
>>> pretend they may live an instant of normal life. And the large framing
>>> weighs into this direction.
>>> 
>>> BTW #1 & #3 show their backs, as if they were about to leave the frame 
>>> and
>>> a director?s  CUT ! was about to resonate on the set with an Italian 
>>> accent
>>> ;-)
>>> 
>>> Keep wearing that mask Lluis, and shooting with a vengeance :-)
>>> 
>>> Amities
>>> 
>>> Philippe
>>> 
>>> 
>>> 
>>>> Le 26 oct. 2020 ? 15:41, Don Dory via LUG <lug at leica-users.org> a 
>>>> ?crit
>>> :
>>>> 
>>>> Lluis, your sense of light remains strong.  I do think that you are
>>>> responsibly distancing yourself which detracts from the strength of your
>>>> vision.  To stay safe I suggest you transition to a 75 Summilux or a 90
>>> to
>>>> be safe but recapture the intimacy and clarity of your photography.
>>>> Alternatively, I am not "getting" the isolation or loneliness you may be
>>>> trying to convey, but I will return to your images later this week when 
>>>> I
>>>> have more time to view them and perhaps better understand the images.
>>>> 
>>>> Be safe and keep showing us your city.
>>>> 
>>>> On Mon, Oct 26, 2020 at 6:06 AM Lluis Ripoll via LUG <
>>> lug at leica-users.org>
>>>> wrote:
>>>> 
>>>>> Weelchair?s walk
>>>>> <http://gallery.leica-users.org/v/luisrq/Barcelona/2020F100108.jpg.html
>>>> 
>>>>> Leica M6, Summilux 35 pre, Ilford HP5, D-23 1:3
>>>>> 
>>>>> A morning in the Park
>>>>> <http://gallery.leica-users.org/v/luisrq/Barcelona/2020F100111.jpg.html
>>>> 
>>>>> Leica M6, Noctilux 50, Ilford HP5, D-23 1:3
>>>>> 
>>>>> Walking with the Dog
>>>>> <http://gallery.leica-users.org/v/luisrq/Barcelona/2020F100112.jpg.html
>>>> 
>>>>> Leica M6, Noctilux 50, Ilford HP5, D-23 1:3
>>>>> 
>>>>> Thanks for looking, your c&c are welcome
>>>>> 
>>>>> Saludos cordiales
>>>>> Lluis
>>>>> 
>>>>> 
>>>>> _______________________________________________
>>>>> Leica Users Group.
>>>>> See http://leica-users.org/mailman/listinfo/lug for more information
>>>> 
>>>> 
>>>> 
>>>> --
>>>> Don
>>>> don.dory at gmail.com
>>>> 
>>>> _______________________________________________
>>>> Leica Users Group.
>>>> See http://leica-users.org/mailman/listinfo/lug for more information
>>> 
>>> 
>>> _______________________________________________
>>> Leica Users Group.
>>> See http://leica-users.org/mailman/listinfo/lug for more information
>> 
>> 
>> 
> 
> -- 
> 
> Dr. Peter Dzwig
> 
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information



In reply to: Message from lluisripollphotography at gmail.com (Lluis Ripoll) ([Leica] Different walks)
Message from don.dory at gmail.com (Don Dory) ([Leica] Different walks)
Message from photo.philippe.amard at gmail.com (Philippe) ([Leica] Different walks)
Message from don.dory at gmail.com (Don Dory) ([Leica] Different walks)
Message from pdzwig at summaventures.com (Peter Dzwig) ([Leica] Different walks)