Archived posting to the Leica Users Group, 2015/05/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]An interesting point of view, Jayanand, and to be honest not one I had really considered before you raised it. Maybe that is because her photographs ring true to me as depictions of the culture I am part of, but I'll need to think about that some more. Even the photographs she made of cultures I am not familiar with have the ring of truth to them, in my opinion, and I now think about the war zone photographs of shooters like James Nachtwey and wonder if they need captions and if not why not? Would you think Salgado's famous photographs of the gold mine or of the train station need text? An argument can be made that some things should allow for use of the viewer's imagination - or sense of investigation if the viewer wants to learn more about the subject. Educators trying to teach students (or trial lawyers like me trying to teach a jury) will say you should not spoon feed every bit of information to the audience but leave some for the audience to figure out; it is better learned and retained that way. Should that maxim also apply to documentary/documenting photography? Again: you raise an interesting point and I'm going to think about it. Regards, --Bob ===On Thu, May 28, 2015 at 10:41 PM, Jayanand Govindaraj <jayanand at gmail.com > wrote: > Bob, > Interesting. TFS. > > What struck me is that most of the pictures have no emotional impact for > me, like the girls in the gang on the street, without her narration, as I > am not steeped in the nitty gritties of US culture. Goes against what Kyle > says that one of her tenets was, about not having a caption. I think that > is valid when you have a mono cultural, homogenous viewership for your > work, but once you have a cross cultural audience, a little explanation, > like a caption, is invaluable to create the emotional impact! Of course, > this observation is for the sort of photographs that she took, and > obviously would apply to a much lesser extent for nature/wildlife and that > sort of thing, but even there, giving the frame "a local habitation and a > name" does help in pulling the viewer emotionally into the frame. > > My two bits! > > Cheers > Jayanand > > On Fri, May 29, 2015 at 6:29 AM, Robert Baron <robertbaron1 at gmail.com> > wrote: > > > https://vimeo.com/80793010 > > > > View full screen. It is worth seeing and listening to I think, not so > much > > because of Leica but because of Mary Ellen Mark. > > > > --Bob > > >