Archived posting to the Leica Users Group, 2014/02/22

[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]

Subject: [Leica] Lluis' B&W tonality
From: rgacpa at gmail.com (Robert Adler)
Date: Sat, 22 Feb 2014 17:58:47 -0800
References: <8D0FBA15ABED5B6-AA4-9CF0@webmail-d248.sysops.aol.com> <21E0323E-35B2-4033-9C1B-DB68EE981B44@gmail.com> <88C08543-F4B6-4493-A4EE-A587AF0B6927@gmail.com> <CAE3QcF6EPo9EhtL0t6F6W05toYzxA+Zq7fv+GFz8EdTRhTV-uA@mail.gmail.com>

I know...
*sigh*


On Fri, Feb 21, 2014 at 4:11 AM, Geoff Hopkinson <hopsternew at 
gmail.com>wrote:

> Bob the very best way to absorb the instruction from Don Lluis is to walk
> and shoot with him all day in a superb city environment (with intervals for
> delicious Catalan food) then sit over a beer in front of the computer with
> Lluis. You need to go to Barcelona!
>
>
> Cheers
> Geoff
> http://www.pbase.com/hoppyman
>
>
> On 21 February 2014 17:25, Bob Adler <rgacpa at gmail.com> wrote:
>
> > Thank you Lluis. An excellent tutorial that gives a starting point to us
> > novices who wish to develop our own processes.
> > You are very generous.
> > Best,
> > Bob
> >
> > Sent from my iPad
> >
> > > On Feb 20, 2014, at 3:36 PM, Lluis Ripoll <
> > lluisripollphotography at gmail.com> wrote:
> > >
> > > Thank you Susan, Gerry, Bob, Larry and others ... I really think I
> don't
> > deserve such mentions, I've saw after years the B&W of many of many of
> you
> > are sharing with us, everyone has his own style and I don't know if I can
> > explain my workflow as a certain rule ... , IMHO is a question of the
> > personal preferences. Even so I can explain why I work.
> > >
> > > I normally work in manual mode and in digital I prefer a little under
> > exposure than over exposure. Usually I prefer use old lenses, IMHO they
> > give more medium tones and less crispy images to work. When I process the
> > DNG I have certain "own" rules, I try to avoid or at least minimize the
> > extreme tones of the Dynamic Range, Absolute Black (Zone 0) and absolute
> > white (Zone X), usually I start marking the white and the black points,
> > after I do a first arrangement using the extended Dynamic range that
> offer
> > Capture One (medium tones for shadow and lights), after this I work with
> > the curve to obtain the contrast I want, finally I work on the classical
> > controls of Exposure, Brilliance and Contrast an if it is necessary I
> > correct the previous values I've do. I edit the image in Photoshop and I
> > click in to the Automatic levels, generally I accept what PS does. If the
> > image is too flat I try to improve it with Silver Efex Pro.
> > >
> > > IMHO Capture One is a great tool for work the B&W, it has different B&W
> > presets, and I have also build mines. The same thing with Silver Efex
> Pro,
> > I've never use the standard presets, I've build some own presets, but
> > rarely they work for a new picture, I have to modify different things.
> > >
> > > When I work I always take care of the histogram, and I try to cover all
> > the range. Silver Efex Pro offer the histogram and the 10 zones, this is
> > useful for me, I can better correct extreme Zones 0 and 10.
> > >
> > > I don't know if this can be interesting for you, I think is nothing
> new,
> > last Summer our friend Geoff was with me looking my workflow, I work by
> my
> > instinct and I think difficult made, as you say, a tutorial, this sounds
> > for me too pretentious...
> > >
> > > I hope have answered your question ...
> > >
> > > Thank you very much!
> > > Lluis
> > >
> > >
> > >> El 19/02/2014, a las 16:49, lrzeitlin at aol.com escribi?:
> > >>
> > >> Lluis,
> > >> I am always impressed by the tonal quality you manage to achieve in
> > your B&W pictures. Especially when viewed on the new high resolution
> screen
> > of my Macbook Pro. We may differ on matters of composition and subject
> > selection but your B&W images are far superior to the bulk of those shown
> > on the LUG. I mean no disrespect to other photographers but your pictures
> > are in a class by themselves.? It can't all be the Leica Monocrom.? The
> > results are just as good with every camera you use, even old film
> cameras.
> > The big question is how do you do it??
> > >> Could you describe your workflow from shutter click to posting on the
> > internet as a tutorial for less adept photographers. I would like to be
> > able to get your results in B&W images.
> > >> Larry Z
> > >>
> > >>
> > >> _______________________________________________
> > >> Leica Users Group.
> > >> See http://leica-users.org/mailman/listinfo/lug for more information
> > >
> > >
> > > _______________________________________________
> > > Leica Users Group.
> > > See http://leica-users.org/mailman/listinfo/lug for more information
> >
> > _______________________________________________
> > Leica Users Group.
> > See http://leica-users.org/mailman/listinfo/lug for more information
>
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information
>



-- 
Bob Adler


Replies: Reply from hopsternew at gmail.com (Geoff Hopkinson) ([Leica] Lluis' B&W tonality)
In reply to: Message from lrzeitlin at aol.com (lrzeitlin at aol.com) ([Leica] Lluis' B&W tonality)
Message from lluisripollphotography at gmail.com (Lluis Ripoll) ([Leica] Lluis' B&W tonality)
Message from rgacpa at gmail.com (Bob Adler) ([Leica] Lluis' B&W tonality)
Message from hopsternew at gmail.com (Geoff Hopkinson) ([Leica] Lluis' B&W tonality)