Archived posting to the Leica Users Group, 2012/05/20

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Subject: [Leica] Aaargh. There is a free L1200 Durst enlarger, in San Francisco
From: richard at richardmanphoto.com (Richard Man)
Date: Sun, 20 May 2012 19:08:54 -0700
References: <BLU0-SMTP828D339F64B5C30B48E3AF8C1C0@phx.gbl> <CBDECBAA.1E79F%mark@rabinergroup.com> <CA+yJO1ARWNnggac9qE_CSm_vxt6Ya-f4ZPU8PuihoLUE3h7+aQ@mail.gmail.com> <3e10d24ceb840e8b23d33e92a0d0a6e7@mail.gmail.com>

I concur with first 3. I use Jobo so I don't stay in the garage :-)

For certain things, I LOVE the M9, but as long as they do not have an XPan
digital, I will continue to shoot film... The "magical" properties of film
that you mentioned are just side benefits.

On Sun, May 20, 2012 at 6:09 PM, Jim Shulman <jshulman at 
judgecrater.com>wrote:

> Yeah, I know it's smelly, noxious, and far more troublesome than digigal.
> But there's something I love about going down to the basement with three
> or four exposed rolls of film, just waiting for the images.
>
> First, there's the sense of delayed gratification.  I have no idea if the
> shots were good or not until they're processed (though, with experience, I
> usually have a pretty good idea.)
>
> Second, getting my images is a bit like getting a present from FedEx or
> UPS.  It's a sense of thrill and discovery that the screen on my cell
> phone just doesn't match.
>
> Third, there's still nothing more amazing than opening up the tank after
> 20 or 25 minutes and seeing actual pictures on the piece of plastic.
>
> Fourth, it's a chance for me to hear music without interruption.  I leave
> the cell phone upstairs (once it rang while I was loading film in the
> darkroom, and it almost fogged the roll!) and play either one LP side or
> four opera 78s.  It's a great escape.
>
> Best,
> Jim
> (who had to leave for a business trip with one undeveloped roll just
> waiting for him...)
>
> -----Original Message-----
> From: lug-bounces+jshulman=judgecrater.com at leica-users.org
> [mailto:lug-bounces+jshulman=judgecrater.com at leica-users.org] On Behalf 
> Of
> Tina Manley
> Sent: Sunday, May 20, 2012 8:50 PM
> To: Leica Users Group
> Subject: Re: [Leica] Aaargh. There is a free L1200 Durst enlarger, in San
> Francisco
>
> Mark -
>
> I think you have written exactly what I feel.  I loved the darkroom when I
> worked in it.  I still have most of my enlargers and other equipment.  I
> know I'll never work there again.  Chemicals are too bad.  Digital is too
> good.  We can't go back, but I miss it in a lot of ways.  I remember
> adjusting my enlargers and using timers and my wonderful Jobo, but it's
> all a memory now.
>
> Tina
>
> On Sun, May 20, 2012 at 4:26 PM, Mark Rabiner <mark at rabinergroup.com>
> wrote:
>
> > I was just this week back in Portland Oregon where I'd spent most my
> > life going through my storage cubicle looking at my Beseler 5x7 cold
> > light and Omega D2V and Aristo VC Head. I refuse to just give the head
> > away it feels like the day before yesterday when I spent a grand on it
> > and it changed my darkroom life. The enlargers I may have to pay
> > somebody to take out of there.
> > However like 99.99% of all photogs my darkroom life is a past life. I
> > remember it as a dream.
> > I'm now shooting digital looking at my camera going "I wonder what
> > this button does?". No longer the master of my domain. I'm just
> > figuring it all out like everybody else.
> > I also came upon in my storage cubicle a box of enlarger glass mainly
> > El Nikkor's but I found a 100mm Schneider Componon which I got used at
> > Pro Photo Oregon for 70 bucks a few years ago and when I got back to
> > my studio I looked up the B&H price and it was like 500 bucks. Making
> > it the best deal I ever made in my photo existence. I can use in on my
> > Viso system and possibly rig it up to other camera systems one would
> > thing. With enough super glue and duck tape. The writing was all ready
> > on the wall as to darkroom gear of great value the day before
> > yesterday now having close to zero value.
> > I look at as a positive though.
> >  its an exciting revolution time in photography for such a thing to be
> > happening. And we get to be in on it on the ground floor.
> > Any lecture I might be making on split printing or other darkroom or
> > photography work I did for decades falls under the heading of "history
> > of photography". In ten years it will go full circle and there will be
> > a resurgence of interest in shooting and maybe printing film. By then
> > there will be one company in Croatia making film for forty dollars a
> roll.
> >
> > - - from my iRabs.
> > Mark Rabiner
> > http://gallery.leica-users.org/v/lugalrabs/springdays/
> >
> >
> >
> > _______________________________________________
> > Leica Users Group.
> > See http://leica-users.org/mailman/listinfo/lug for more information
> >
> >
>
>
> --
> Tina Manley, ASMP
> www.tinamanley.com
>
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information
>
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information
>



-- 
// richard <http://www.richardmanphoto.com>


In reply to: Message from vick.ko at sympatico.ca (Vick Ko) ([Leica] Aaargh. There is a free L1200 Durst enlarger, in San Francisco)
Message from mark at rabinergroup.com (Mark Rabiner) ([Leica] Aaargh. There is a free L1200 Durst enlarger, in San Francisco)
Message from images at comporium.net (Tina Manley) ([Leica] Aaargh. There is a free L1200 Durst enlarger, in San Francisco)
Message from jshulman at judgecrater.com (Jim Shulman) ([Leica] Aaargh. There is a free L1200 Durst enlarger, in San Francisco)