Archived posting to the Leica Users Group, 2011/07/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I've tried to put most of the darkroom out of my mind, but essentially you would make a low-contrast copy negative. These were contact printed with both having the emulsion side down, so the copy negative is slightly blurred. The negatives were registered in the enlarger and then printed with a much higher contrast grade of paper than normal. Obviously this is not a 35mm thing. I have seen quite a few prints made this way, and most of them hurt my eyes. I don't know what the author is referring to in "flashing". Pre-flashing the paper with no negative in the enlarger is for contrast control, but not for sharpness. Topaz InFocus is a handy PS plug-in that works pretty well, and you don't have to get your hands wet. Ken On 7/8/2011 10:48 AM, Kenneth Frazier wrote: > On Jul 8, 2011, at 11:38 AM, Bob Adler wrote: > >> Does anyone know how sharpening was done in a darkroom? Was it in the >> selection of the paper contrast or something else? >> Best, > > Piqued my curiosity, so here it is: > > http://www.pixiq.com/article/darkroom-unsharp-mask > > Anybody ever used this technique? > > Ken > ---------------------------- > Ken Frazier > kennybod at mac.com > > > > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information >