Archived posting to the Leica Users Group, 2010/04/17

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Subject: [Leica] HCB
From: passaro.vince at gmail.com (Vince Passaro)
Date: Sat, 17 Apr 2010 19:40:34 -0400
References: <24A2A0DF-836E-4D45-A40F-A2AECD881545@steveunsworth.co.uk> <C7EFBE77.6175E%mark@rabinergroup.com>

Mark,
You mean the mother in the bath holding her daughter? He worked insanely
hard on getting that photo as I recall. What is "bunch flash"?
V

On Sat, Apr 17, 2010 at 7:37 PM, Mark Rabiner <mark at rabinergroup.com> 
wrote:

> > Indeed not!
> >
> > Also there's Doisneau and Boubat. Doisneau is possibly underestimated by
> many
> > because "The Kiss" is so well known, and some of his shots (the kiss
> included)
> > were set up, but he did some outstanding work. Boubat is possibly my all
> time
> > favourite French photographer. He had a wonderful eye and he was one of
> those
> > whose photographs make me think he was photographing from the inside
> looking
> > out, where as I've always felt that HCB was an outsider looking inwards -
> > which isn't to say he was a bad photographer, just a different one.
> >
> > Steve
>
>
> You ever see the contact sheet in the contact sheet book of HCB having that
> fat guy jump over the mud puddle dozens of times?
> You could say that shot was set up too.
> Its called "working it" and they way most photographers who made a living
> doing photography for magazines or newspapers worked.
> But in these case is the prime example of "the decisive moment".
> Which was decisively done enough times to decisively get it right.
>
> The prime example of the wonderfulness of available light is Smiths
> Minamata.
> And he did it with a bunch flash.
>
> Its always what you don't think.
>
> [Rabs]
> Mark William Rabiner
>
>
>
>
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>


Replies: Reply from mark at rabinergroup.com (Mark Rabiner) ([Leica] HCB)
In reply to: Message from lug at steveunsworth.co.uk (Steve Unsworth) ([Leica] HCB)
Message from mark at rabinergroup.com (Mark Rabiner) ([Leica] HCB)