Archived posting to the Leica Users Group, 2010/03/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In my experience Dirt, dust, grit, hairs have always been the bane of photographers, darkroom technicians, print finishers and framers; on the set in the camera on the lenses in the enlargers in the projectors in the contact printers in the water on the film on the print paper in the ink jet printer between layers in the dry mount press and now on the sensor. It has never been easier to deal with than in this digital age. YMMV Regards, George Lottermoser george at imagist.com http://www.imagist.com http://www.imagist.com/blog http://www.linkedin.com/in/imagist On Mar 4, 2010, at 11:59 AM, Doug Herr wrote: > Frank Filippone wrote: > >> It is obvious to me that my experience is not unique. It comes as >> pretty >> much of a shock to all new removable lens Digi-Camera users. >> >> Film has no analogy at all. > > Hairs in the film gate, grit on the pressure plate or other parts > of the film path. The difference is that with most film cameras > you can open the back. > > Doug Herr > Birdman of Sacramento > http://www.wildlightphoto.com > > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information