Archived posting to the Leica Users Group, 2009/01/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Henning as always your input reflects your extensive experience. What also happens in these threads is that different issues become intertwined. Please keep in mind this is strictly M8 Raw exposure I am talking about. Not film and not any other dSLR. I have zero experience in trying to recover highlights or shooting with any other dSLR. Obviously film is a whole different plate of sushi too. This line of yours is very important to what I have been trying to say too. "If you see no clipping, and have information in the furthest right short of clipping, you have the best chance of having as much accurate information as possible." When you set -.33 or -.66 you may not be getting as much highlight information as possible. And in turn you are potentially capturing much less tonal information, which is redistributed by the gamma curve applied. Absolutely agree that may not matter for some situations or even many situations or may be preferable to risking clipping. I try to manage clipping by the way I meter rather than automatically shifting everything left. I never assume that the DNG will always be fine when there is clipping evident in the LCD preview, but it is not gospel either. I understand what you are saying about recovering highlight information if one or more channels are clipped too. I don't know if you looked at my posted examples of the 1,200 year old tree in the snow at Red Rock Canyon. That exposure was made with +.66 exposure initially. The LCD showed significant clipping, then as the camera processed the preview you see the white balance and clipping indication both shift, on the LCD in the first couple of seconds (with later firmware). The white balance shift alone will tell you that you are seeing a preview of jpg settings. Most importantly the histogram of the DNG in ACR shows zero clipping. In fact there is room in the last 10% to the right. Contrast, clarity etc were adjusted afterwards. The final exposure is in fact +.61 on what the meter wanted to set (and that based on metering the tree, not the snow). There is a small amount of recovery but from zero clipping in any channel which conforms to what you have explained too. I'm not trying to be argumentative here and I greatly respect your experience. I do think that it is a very on-topic discussion for us with so many M8 shooters that are active here. For me it also demonstrates the capability of the M8. For my style of photography I have not at all had the experience of great recovery from underexposed shadows. A number of people have said that they do. For me any underexposure of the shadows makes for poorer quality there. More noise for example. Cheers Geoff http://www.pbase.com/hoppyman/e http://gallery.leica-users.org/v/gh/ Pick up your camera and make the best photo you can. -----Original Message----- Subject: RE: [Leica] Question about M8 exposure A suggestion has been made that the clipping shown on the histogram for the jpeg might not be accurate, so just give a bit more exposure and check the clipping in the RAW later. As long as _NO_ channel is clipped, things are fine. The problems arise if one or two channels are clipped, and the other(s) aren't. Then when you try to bring some of that highlight info back, you'll get the info from that one or two channels, but the other will have nothing. You then get unbalanced information which is erroneous, and distorted. It's true that the jpegs aren't accurate, but you can't therefore assume that the DNG's will be fine. That doesn't follow. If you see no clipping, and have information in the furthest right short of clipping, you have the best chance of having as much accurate information as possible. My Canons certainly do not give me that with a + exposure compensation on average subjects on matrix metering, and with my metering technique (which works perfectly on my M6's with the meter set to 400 for Tri-X developed in D-76 1:1 etc.) I generally leave my M6 set to -2/3. When I bring the DNG's into LR, I try to use the highlight recovery as little as possible, and the exposure slider doesn't get used much unless I'm shooting in very dark circumstances (I've explained my technique there previously). Mostly I use the curves tool to do contrast adjustments, although the LR curves tool tries to outsmart me and not allow me the fine control I'm used to in PS. If I do have to use the exposure slider, I'm much happier to increase the exposure than decrease it, as I know that while I might be increasing some noise in the shadow areas which is quite easily dealt with, I won't be introducing uncorrectable distortion in the highlights. -- * Henning J. Wulff /|\ Wulff Photography & Design /###\ mailto:henningw@archiphoto.com |[ ]| http://www.archiphoto.com _______________________________________________ Leica Users Group. See http://leica-users.org/mailman/listinfo/lug for more information