Archived posting to the Leica Users Group, 2009/01/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hi to all, In a recent post I mentioned that DMR held up quite well when compared to the Nikon D3. Doug Herr asked me for a some elaboration so here goes. Naturally, the D3 has a feature set that far outstrips the DMR and there can be no doubt that D3 has much better low light performance than the DMR. When you look at images from both cameras and evaluate them visually, the DMR images appear somewhat sharper, and I believe more colorful. The Nikon D3 has the most accurate color reproduction of any imaging product that I have ever used. The LCD on the D3 is color calibrated. The point to be made here is that accurate color reproduction on input is not always a good thing. Kodak Extachrome Professional was one of the most color accurate films ever produced, but most photographers preferred Fuji Velvia which had extremely poor color fidelity but produced very vivid and saturated images. Even though I have very complete color measurement capabilities in my lab, I always LOOK AT THE IMAGE. 35 years of technical experience have shown me that numbers do not necessarily tell the whole story. When I am comparing two cameras, I try to shoot a side by side image and I generate a full frame output image that is 24" X 30". I tape the images to a wall and I evaluate them. When I say that the DMR holds it's own against the D3 I mean that image from the DMR (shot in daylight) is noticeably sharper and more saturated. The Nikon image has higher resolution, but the anti-aliasing filter they use does have a negative impact on sharpness, if you don't give it a little boost. The MTF of the Leica glass is probably higher and when combined with the unfiltered sensor the difference is real. Naturally, unsharp masking of the Nikon image can also produce very stunning results, but the fact is that the native image produced by the DMR is excellent. I really do enjoy both cameras. The DMR/R9 combination is very close to the film experience and it produces, with a little work, great images. I bought the D3 primarily for its low light performance (I shoot in the theater) and for the 14 to 24 mm zoom which really works well on a full frame sensor. On the other hand, nothing beats the combination of the DMR and 280mm f2.8 APO for telephoto work. Of course, one does need a truck to carry it... Take care, Tom