Archived posting to the Leica Users Group, 2008/09/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I imagine those stats are pretty much on the mark. But, I do think the calibration (color-managed workflow) is the best thing about inkjet printing. Until they change the ink or paper on me, I can usually match the monitor with the first print out, or at most second. But, from then on, it is just like chemical printing. It goes into a stack to be reviewed, shown to friends, etc. in a month or so. The reaction then can be anywhere from it's OK, to what was I thinking? I'm not sure the ultimate ratio of keepers is any different, but it is nice to get that first print without a lot of fuss. It is nirvana compared to my first love, pt/pd, where the variables change by the hour. Ken > -----Original Message----- > From: lug-bounces+kcarney1=cox.net@leica-users.org [mailto:lug- > bounces+kcarney1=cox.net@leica-users.org] On Behalf Of Mark Rabiner > Sent: Sunday, September 07, 2008 3:41 PM > To: Leica Users Group > Subject: Re: [Leica] Getting into printing.. need advice? > > If I knew ten non pro people with darkrooms two of them could make a print > for reproduction, newsprint, in a pinch. > And one of them could make a full scale Ansel Adams quality print. > Most could never be botherered. And took the first thing which came out > everything out. Their level of "craft" if you could call it that several > down from what the process is anywhere near capable of. > > And out of ten people I know printing inkjets most print on junk paper; > and > take first outs; thinking "calibration" replaces craft. > But I've seen way more top level prints now that people are printing > inkjet. > A lot more people doing it for one. > > > > mark@rabinergroup.com > Mark William Rabiner >