Archived posting to the Leica Users Group, 2006/07/16

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Subject: [Leica] Suggestions # 1
From: jkoplen at mindspring.com (Julian Koplen)
Date: Sun Jul 16 16:06:37 2006
References: <00be01c6a614$4b79ad60$bb710e44@newukolbqveo9i> <000701c6a68f$d9c0c060$a302a8c0@ted> <6.2.5.6.2.20060713172304.03018b20@screengang.com> <000c01c6a6f9$4e09a400$a302a8c0@ted>

Ted,

You are simply unbelievable.  Bigger than life.  In a good way.

Julian

At 11:55 PM 7/13/2006, you wrote:
>OK crew let's see what happens with this one?
>
>
>
>Photographer suggestions 1.
>
>================
>
>
>
>1/  While you consider the best angle to photograph a person, it is 
>preferable to continue
>
>shooting even though a number of  frames are rejects. If you hesitate, you
>
>may make your subject uneasy, thinking you do not know what you are doing.
>
>
>
>2/  Good photojournalists master the art of portrait lighting, allowing
>
>them to use available light to their advantage. It sharpens their
>
>appreciation for the changing mood of light.
>
>
>
>3/  The best way to make an informal portrait, is to allow your subject to
>
>go about their business, finding your pictures during the activity.
>
>
>
>4/  Do not direct your subject with "look this way, hold it or point there"
>
>and finally "look in the camera and smile."  This type of direction makes
>
>your subject stop living and start posing.
>
>
>
>5/  SLR cameras when used in low light, are usually difficult to focus. To
>
>improve accuracy, turn the focusing ring to its closest focus point.
>
>Then bring your subject into sharp focus in the viewfinder. Using this
>
>method the eye  recognises the sharpest image quicker than focusing from
>
>the infinity point.
>
>
>
>6/  Events where news photographers hang together as flys at a feeding,
>
>take a few obvious frames;  break away and using a long lens reach back to
>
>the subject for a totally different photograph.
>
>
>
>7/  When shooting sunrise or sunset, most people look in the direction of
>
>the sun. The sunlight doesn't stop where you stand, turn around and 
>see what it
>
>is shining on. Maybe a marvellous photograph is beautifully lit.
>
>
>
>8/  Light is just as important as the subject, in many cases the light is
>
>the subject. If you do not understand the magic of light, you will produce
>
>uninspiring photographs.
>
>
>
>9/  The on location portrait can often produce a superior likeness to one
>
>taken under studio lights.   People are more at ease in their own
>
>surroundings.
>
>
>
>10/  Shoot field sports from a kneeling or sitting position. A lower angle
>
>increases the impact of the photograph, athletes appear bigger and
>
>background clutter is eliminated
>
>
>_______________________________________________
>Leica Users Group.
>See http://leica-users.org/mailman/listinfo/lug for more information


In reply to: Message from jsmith342 at cox.net (Jeffery Smith) ([Leica] Enthusiasm)
Message from tedgrant at shaw.ca (Ted Grant) ([Leica] Power of B&W?)
Message from rangefinder at screengang.com (Didier Ludwig) ([Leica] Power of B&W?)
Message from tedgrant at shaw.ca (Ted Grant) ([Leica] Suggestions # 1)