Archived posting to the Leica Users Group, 2006/07/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Bob, I looked again at this effect for my own education. I am more than ever convinced that this is a digital artifact we are seeing. When you enlarge the image so that the individual pixels are very blocky, (say 500%)you can see that the purple is a discrete and very even line at the edge of the blown highlight. Yet it is not present at all on the (very fine) highlight on the vertical edge of the leg. If this was an aberration in the analog info, I would have thought that there would be some other traces of it in the other areas. Along the edge of the log where the highlight is completely white the fringe is just about a perfect diagonal 4 pixel wide line. (1/1000th inch line in the scanned slide?????) I'd really be interested to hear the definitive outcome of this Cheers, Hoppy Happy to be proven wrong, but love to learn Bob, pardon me if this is a silly question. Is this aberration definitely visible on the film? (I assume its transparency film) After your image is captured on film, obviously it must then be scanned to produce your digital image for posting. I wondered if the aberration was being introduced at that (weak link) point by the scanner? Cheers, Hoppy (who'd like a focomat in his coolscan) -----Original Message----- ------------------------------ Message: 20 Date: Thu, 6 Jul 2006 10:41:31 -0500 From: bob palmieri <rpalmier@depaul.edu> Subject: [Leica] Tale of Two Telyts Part Deax - The Evil Twin To: lug@leica-users.org, leicareflex@freelists.org Message-ID: <0c6a689957fb15b7e15c496265b09547@depaul.edu> Content-Type: text/plain; charset=US-ASCII; format=flowed Folks - As promised, here's an example of a disturbing symptom I encounter occasionally with the 400 Telyt. Here's a snap of a blue heron impersonating a stick: http://gallery.leica-users.org/album409/Camoflage_Heron_Crop And here's a 100% pixel crop showing heavy purple fringing around the feet and along the top edge of the log (in areas of serious overexposure): http://gallery.leica-users.org/album409/Camoflage_Heron_PurpleCrop I've seen the same effect on Kodachrome, so I don't think it's one of those artifacts of digital sensor architecture (despite all the talk you hear about purple fringing in digicams.) My questions are as follows: 1. Is this just a classic case of chromatic aberration in a simple achromat? (I hear tell that the Anomalous Dispersion glass (whatever that is) in this design is supposed to control this kindof thing to a pretty acceptable level.) 2. If so, is it really possible that the results in the normally exposed areas can look as good as they do (not that this snap is the best example; things were getting pretty dim at the time and the shutter speed was probably quite low) with a level of CA this high? 3. Does someone who uses both this lens and the probably staggeringly CA-free 280 APO (Doug??) ever see this effect in their 400 shots and not in those shot with the APO ? Inquiring minds want to know... Bob Palmieri