Archived posting to the Leica Users Group, 2006/05/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]"Oh bliss! Bliss and heaven! Oh, it was gorgeousness and gorgeousity made flesh. It was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now. As I slooshied, I knew such lovely pictures!" I read the first time this was ever done it was by Robert Altman in the movie version of MASH in 1970. And it was revolutionary at the time. Enabled Altman to have everyone talking at the same time in the tent around the camp fire and then bring up the dialog which worked and bring down the dialog he doesn't want interfering. As there was no script probably. The article said it was like the Sergeant Pepper of Film recording and after that this technique of having everyone wired wireless mini miked became the norm fast. A boom on used Gitzo Booms But this reminds me in a bit of, in a stretch, of very early digital recording, 1984 a big year on many accounts (M6, First Mac, Ansel dies, we're in the future now) Von Karajan and the Berlin Philharmonic on Deutsch Gramophone coming out with a Beethoven symphony cycle (all of them) the first ever digitally recorded (he did one once a decade anyway) and the theory was that with digital the traditional miking method of three of four mikes could be replaced by every single musician in the entire orchestra having their own mini mike wired to their music stand so the thing could be balanced.. well kind of like an Altman movie. But Karajan micro managed balanced. Well anyway it sounded like tin hell and made for an early bad impression of digital by most audiophiles and normal people with ears and vinyl or reel to reel Ampex. I've got a set of the cassette tapes oxide. But then it turned out that if you just miked it normally with three of four mikes like they usually do with analog digital didn't sound so bad. (Mikey likes it) Of course this makes many film-o-philes like me think of the scene of Alex in Kublicks Clockwork Orange (1972) popping on a micro cassette for a bit of the glorious 9th with a yellow Deutsch Gramophone label (cracks me up every time) o my bothers.. With his pet snake, Basil. The real name of the snake. Billed I think as "The Snake". All because Altman found out Malcolm McDowell had a phobia of snakes. Mark Rabiner Looming up on the Hoh Rain Forest from sunny Aberdeen halfway up the Washington coast where its raining for some reason. Hoping to spend the night in the Lake Crescent Lake National Park Lodge. My transmission is iffy on my overloaded camper van. So is both my rear and the one of my dogs. I'm going to be getising a bunch of stuff in boxes via the us in some post office somewhere. As it's all downhill to Portland. Which puts a load the transmission I think. Uphill is no problem with the 8 cylinders are clickin'. I'm a lousy chicken. Photographer Mark Rabiner Cellphone: 503.515.5565 Residence: where my four wheels hit the road of my 1995 Airstream 190 Ford Camper Van. Won't you get hip to this timely tip: when you make that north west coast trip Get your kicks on Route 101 Get your fun on Route 101 Alex: Initiative comes to thems that wait.