Archived posting to the Leica Users Group, 2006/05/21

[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]

Subject: [Leica] Don's PAW 20 Still things
From: ricc at mindspring.com (Ric Carter)
Date: Sun May 21 15:03:05 2006
References: <9b678e0605210750k1fa751a5md5974f3ab4bf3990@mail.gmail.com> <4470B35E.1080204@hemenway.com> <9b678e0605211317t757114c4l7ced9949da3570b9@mail.gmail.com> <4470D418.5040806@hemenway.com>

Jim--

Do you find yourself scouting 11X14s by using the smaller camera and  
walking around technique? Do you go back to places with the big gun  
after seeing a shot with the little one?

Ric Carter
http://gallery.leica-users.org/Passing-Fancies

On May 21, 2006, at 4:56 PM, Jim Hemenway wrote:

> Don:
>
> It's interesting to me that you do so much "thinking" about your  
> photo projects, whereas not being a great thinker, I mostly just go  
> out and shoot photos which I think are valid, (in a compositional  
> sense) by walking around in an area, and viewing through the camera  
> until I see/create said compositions.
>
> This approach doesn't work as well with my 11x14 shots because I  
> can't just carry it around while looking through the groundglass  
> with a dark cloth over my head.
>
> I think this is the main reason why my 11x14 photos are mostly  
> "postcard" compositions.
>
> I'm not thinking that there's anything profound in my comments  
> above, it's just that I'm seeing a big difference in our approaches.
>
> Perhaps it's intuitive versus analytical... and also perhaps, it's  
> one of the reasons why I don't like to do weddings or assignments.
>
> Jim, "My photos are better than yours" Hemenway
>
> :-)
>
>
>
>
>
> Don Dory wrote:
>
>> Jim,
>> Yes, on an easily recognised level the second one works the best.   
>> One of
>> the ideas I would like to explore is the relationship of  
>> transitory and
>> permanent.  The horse image is a first try at this as these  
>> carraiges stand
>> for tourist who come and go while they remain.  I am going to try  
>> also with
>> doorman and other groups that are always there but we don't  
>> typically see
>> them.
>> But, the legs on the stairs also forms a part of this idea, some  
>> parts of
>> our societies remain and accumulate while we come and mostly go.   
>> Museums
>> unfortunately do no like tripods or my use of their sculptures as  
>> something
>> to steady my camera so I will have to be creative.
>> I do appreciate the comments.
>> Don
>> don.dory@gmail.com
>> On 5/21/06, Jim Hemenway <Jim@hemenway.com> wrote:
>>>
>>> Don:
>>>
>>> I think that the effect works well in the second shot.
>>>
>>> Jim
>>>
>
>
>
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information


Replies: Reply from Jim at hemenway.com (Jim Hemenway) ([Leica] Scouting)
In reply to: Message from don.dory at gmail.com (Don Dory) ([Leica] Don's PAW 20 Still things)
Message from Jim at hemenway.com (Jim Hemenway) ([Leica] Don's PAW 20 Still things)
Message from don.dory at gmail.com (Don Dory) ([Leica] Don's PAW 20 Still things)
Message from Jim at hemenway.com (Jim Hemenway) ([Leica] Don's PAW 20 Still things)