[Leica] re: silver vs pixels

[robertmeier at usjet.net (Robert Meier)]

B.D.,  that sounds good to me.   When I was at Brown, they rang the big 
bells atop University Hall for every football victory.   I was a senior 
before I heard the bells.   (But they did know how to play hockey.)



> hey, the Beavers have a football team. And when their opponents score, the
> MIT marching band - all 15 members - play "don't worry,be happy." My kind
> of college athletics. :-)
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> ...... Original Message .......
> On Mon, 20 Feb 2006 19:23:37 -0600 "Robert Meier" <robertmeier@usjet.net>
> wrote:
> "
> "Has M.I.T. joined the Ivy League?   I wonder what sport they would play.
> "
> "
> "> You go Doug! Those darned Ivy League photography teachers probably 
> never
> "> raise a viewfinder to their eyes in their lifes!
> ">
> "> :-)
> ">
> "> Note that B.D. did not say that. He just said you can't make (or at
> least
> "> it will take a Herculean effort to make) a great print from a mediocre
> "> neg. He didn't say you can't make a great print from a great neg :-)
> ">
> "> At 04:42 PM 2/20/2006, Douglas Nygren wrote:
> ">
> ">>While you may say that you prefer the photographer who takes the photo
> in
> ">>the camera to the one who make it in the darkroom, I hasten to inform
> you
> ">>are dreaming if you think all the work can be done at the moment you
> snap
> ">>the photo. It is the rare photo, that comes out of the camera without
> ">>needs a little here and there. This is true in the digital and the wet
> ">>darkroom. When you snap the photo, the process has only just begun. If
> the
> ">>day is overcast, you have to deal with the lack of contrast. If you
> don't,
> ">>you will have a flat photo. An awareness of how photos print will allow
> ">>you to expose your photos better.
> ">>...
> ">
> "> // richard (This email is for mailing lists. To reach me directly,
> please
> "> use richard at imagecraft.com)
> ">
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> "
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