Archived posting to the Leica Users Group, 2006/02/09

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Subject: [Leica] Pick three
From: tedgrant at shaw.ca (Ted Grant)
Date: Thu Feb 9 07:51:14 2006
References: <99.6f7d67d5.311c180d@aol.com> <05C941D2-BB5B-4D59-91A5-149D51DEEA2E@charter.net> <5F6D81A1-33A3-4590-8E8A-6CB062CC3BFA@earthlink.net> <43EAD93D.7010006@adrenaline.com> <4BC0FBE2-D8C1-46C6-BCD1-9E37D6321005@earthlink.net>

feli asked:
> Imagine you are going on a trip to an urban location and can only  take 
> THREE lenses,
> for two M bodies.<<<<<

Hi feli,
piece of cake. :-)

35 f1.4 on one
2/90 Summicron-M on the other

Stick the 50 summilux in yer pocket on the wild possibility you may need it 
and away you go.

the chances are 99.99999% of your picture taking will be done with 2 lenses 
35mm & 90mm.

I'm assuming you're photographing people as in the documentary style 
therefore these 2 lenses allow you to work close when you have the quick & 
kill moment. The 90 allows for the quiet intimate moment of a slightly 
longer reach.

The chances are the 50 will stay in your pocket 99.99999999999999% of the 
time, unless you're a regular 50mm kind of shooter. And if that is the case 
I'd only take the 50 and that would be it.

It also changes your seeing because you are far more astute at subject 
searching & re-action with only the 50. One lens means greater time of 
concentrating on subjects fitting into this format.

Decisions of which lens to use create in-decision just long enough to miss 
the "peak moment!"

Words of experience while shooting documentaries.

Oh and for those selecting the "sharper is better crowd" it isn't going to 
make the content any better, remember every picture taken with a Leica 
doesn't mean it's a great photo. Unfortunately there are still a few in the 
world who still believe... "use a Leica and your pictures will be the best 
there are. And the next stupid reason... "because they're so sharp!";-) Just 
ain't so. ;-)

The guy or gal holding it with a sharp set of eyes and swift re-action is 
what makes the difference!

ted





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