Archived posting to the Leica Users Group, 2005/11/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Sorry, but are you talking about Pleasantville, a city in N.Y. Estate?, I've been there two times. Saludos cordiales, Luis -----Mensaje original----- De: lug-bounces+luisripoll=telefonica.net@leica-users.org [mailto:lug-bounces+luisripoll=telefonica.net@leica-users.org]En nombre de Adam Bridge Enviado el: s?bado, 05 de noviembre de 2005 18:40 Para: Leica Users Group Asunto: Re: [Leica] Inspired by a film Boy, I guess they do. I went back and looked at the B&W in "Pleasantville" which had very much a video quality on my DVD and a grainlessness that made it much less compelling. I know they shot it in color, of course, so that's what I sort of used as a reference point for thinking it was shot in native black and white. One thing was clear: the black and white was marvelously uniform throughout the film - I can remember films from my childhood where from reel to reel the picture went from gray to sepia to pinkish - I don't remember the name of the film but it was set aboard a freighter at sea. Adam On 11/5/05, Philippe Orlent <philippe.orlent@pandora.be> wrote: > Miracles happen in the colorgrading and post-grading phase these days. > > > > From: Adam Bridge <abridge@gmail.com> > > Reply-To: Leica Users Group <lug@leica-users.org> > > Date: Fri, 4 Nov 2005 21:55:40 -0800 > > To: Leica Users Group <lug@leica-users.org> > > Subject: Re: [Leica] Inspired by a film > > > > Well, drat, I stand corrected - so is the film grain done in post or > > is it the nature of the color stock they used? However they did it, > > it's VERY effective although, I suppose, it could easily have been > > done in the transfer to the B&W print. > > > > I'm disappointed but hey, at least they made a B&W film that's very > > very good and maybe we'll get more. > > > > ab > > > > On 11/4/05, bill harting <vintagebill@verizon.net> wrote: > >> Filmmaker magazine reports this production information for "Good Night..." > >> > >> Production Format: 35mm. > >> Camera: Two Panavision Millenniums with 11:1 zoom lenses. > >> Film Stock: Kodak Vision2 500T 5218. > >> Editing System: Avid Media Composer Version 11. > >> Color Correction: Autodesk Fire system to conform the entire movie, > >> including the archival clips; density grade performed with da Vinci 2K Plus > >> technology; film-out via ARRI laser recorders onto Kodak 2302, > >> polyester-based, B&W release stock. > >> - > >> Kodak 5218 is a color negative film, 2302 is B&W > >> > >> bill h > >> > >> (Great colors in the film. The period evocation is excellent.) > >> > >> > >> > >> > >> ----- Original Message ----- > >> From: "feli" <feli2@earthlink.net> > >> To: "Leica Users Group" <lug@leica-users.org>; "Leica Users Group" > >> <lug@leica-users.org> > >> Sent: Friday, November 04, 2005 8:09 PM > >> Subject: Re: [Leica] Inspired by a film > >> > >> > >>> > >>> On Nov 4, 2005, at 8:23 PM, Adam Bridge wrote: > >>> > >>> > >>>> I'd love to know the film stock they used. Those great Panavision > >>>> lenses were used to great advantage and the cinematographer certainly > >>>> understands how to use black and white. Wow - talk about seeing the > >>>> PEOPLE. > >>> > >>> > >>> If it was shot on a true black and white stock, it probably was Kodak > >>> 5222, > >>> which is similar to Super-XX (or double XX?). 5222 has been around for > >>> decades > >>> and is a real classic. It looks absolutely stunning, when projected. > >>> > >>> Some people use 'short ends' of this stock for bulkloading 135 format > >>> cartridges. > >>> If I rememeber correctly you can develop it in D76, but I think Kodak > >>> recommends > >>> D-19. 5222 is a little grainier than Tri-X, but has as enormous exposure > >>> range and > >>> can easily be pushed. It looks a little like vintage 1950's/60 Tri-X. I > >>> think Tom A. > >>> has some experience doing this. > >>> > >>> "The Man Who Wasn't There' was shot on color negative and then printed on > >>> black and white > >>> title print stock. the film is gorgeous, but to my eyes, it still looks > >>> like color stock turned b/w. > >>> > >>> I haven't seen the film, yet, but I wouldn't be surprised if 'Good Night > >>> and Good Luck' was > >>> shot with period lenses from Cooke, Bausch&Lomb or Arri/Schneider. > >>> Visually it's the difference > >>> between a Summicron DR and the current version. > >>> > >>> feli > >>> > >>> > >>> ------------------------------------------------------------------------ ---- > >>> ----------- > >>> Feli di Giorgio feli2@earthlink.net > >>> www.elanphotos.com > >>> > >>> _______________________________________________ > >>> Leica Users Group. > >>> See http://leica-users.org/mailman/listinfo/lug for more information > >> > >> > >> _______________________________________________ > >> Leica Users Group. > >> See http://leica-users.org/mailman/listinfo/lug for more information > >> > > > > > > _______________________________________________ > > Leica Users Group. > > See http://leica-users.org/mailman/listinfo/lug for more information > > > > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > _______________________________________________ Leica Users Group. 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