[Leica] Inspired by a film

[feli2 at earthlink.net (feli)]

Looks like they went the same route as Rodger Deakins, on "The Man Who 
Wasn't There".
Color negative stock and black and white prints, with a digital intermediate 
taking care
of the 'color' timing.

I think the last major picture to be shot on true black and white stock was 
either
'Schindler's List' or 'Ed Wood'...


feli

-----Original Message-----
From: bill harting <vintagebill@verizon.net>
Filmmaker magazine reports this production information for "Good Night..."

Production Format: 35mm.
Camera: Two Panavision Millenniums with 11:1 zoom lenses.
Film Stock: Kodak Vision2 500T 5218.
Editing System: Avid Media Composer Version 11.
Color Correction: Autodesk Fire system to conform the entire movie, 
including the archival clips; density grade performed with da Vinci 2K Plus 
technology; film-out via ARRI laser recorders onto Kodak 2302, 
polyester-based, B&W release stock.
-
Kodak 5218 is a color negative film, 2302 is B&W

bill h

(Great colors in the film. The period evocation is excellent.)




----- Original Message ----- 
From: "feli" <feli2@earthlink.net>
To: "Leica Users Group" <lug@leica-users.org>; "Leica Users Group" 
<lug@leica-users.org>
Sent: Friday, November 04, 2005 8:09 PM
Subject: Re: [Leica] Inspired by a film


>
> On Nov 4, 2005, at 8:23 PM, Adam Bridge wrote:
>
>
>> I'd love to know the film stock they used. Those great Panavision
>> lenses were used to great advantage and the cinematographer certainly
>> understands how to use black and white. Wow - talk about seeing the
>> PEOPLE.
>
>
> If it was shot on a true black and white stock, it probably was Kodak 
> 5222,
> which is similar to Super-XX (or double XX?). 5222 has been around for 
> decades
> and is a real classic. It looks absolutely stunning, when projected.
>
> Some people use 'short ends' of this stock for bulkloading 135 format 
> cartridges.
> If I rememeber correctly you can develop it in D76, but I think Kodak 
> recommends
> D-19. 5222 is a little grainier than Tri-X, but has as enormous exposure 
> range and
> can easily be pushed. It looks a little like vintage 1950's/60 Tri-X. I 
> think Tom A.
> has some experience doing this.
>
> "The Man Who Wasn't There' was shot on color negative and then printed on 
> black and white
> title print stock. the film is gorgeous, but to my eyes, it still looks 
> like color stock turned b/w.
>
> I haven't seen the film, yet, but I wouldn't be surprised if 'Good Night 
> and Good Luck' was
> shot with period lenses from Cooke, Bausch&Lomb or Arri/Schneider. 
> Visually it's the difference
> between a Summicron DR and the current version.
>
> feli
>
>
> ---------------------------------------------------------------------------------------
> Feli di Giorgio                 feli2@earthlink.net 
> www.elanphotos.com
>
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Feli di Giorgio                 feli2@earthlink.net               
www.elanphotos.com