Archived posting to the Leica Users Group, 2005/02/20
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I saw the movie "Closer" last night. Julia Roberts plays an American photographer in London. She has a studio taking up what looks like an entire floor of an old building, with windows in every direction. Julia takes Jude Law's portrait with an MF camera on a tripod (didn't notice the brand). Then she switches to a chrome M6, handheld. I couldn't quite make out what lens it was, but the lens had a focusing lever, and it looked like one of the newer Solms lenses, not a 1980s 50 Summicron. Later in the same scene, Julia takes an M6 picture of Natalie Portman crying by windowlight, which ends up blown up about about 10 feet high at an exhibition of Julia's photograph's. Great testament to the resolution of Leica optics :-) Julia is also seen out and about with the M6, and takes Clive Owens' picture with it as well. Natalie Portman has a great speech about how photographs can lie because they make sad things look too beautiful. Perhaps Mike Nichols has read LUG debates about Salgado. :-) The shutter sound used in the soundtrack, was, of course, an SLR sound. :-( IMHO, the movie itself is a bit depressing and shows four not especially likeable characters degrading each other in the course of some overlapping changes of partners. But it is very well made and well-acted. No regrets about having seen it. --Peter