Archived posting to the Leica Users Group, 2005/01/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Small world. From a guitar list, discussing cheaper but apparently well made [good sound and playability] musical instruments from Asia there is a hidden danger in cheaper construction methods: snip "This rather forthright man says that Asian and European instruments are being glued with some sort of glue combination that he has never seen the like of, and cannot identify. It might be petroleum-based, and soaks into the wood very well and no amount of sanding can get him to a level where he can use the traditional hide-glue. Hide glue will not stick to this oil-soaked wood. You can see the problem. Instruments are supposed to be take-apart-able. So, he used glue on mine and said it will either come apart in a week, a month or a year, but it WILL come apart again. So far, mine is staying together (6 or 7 months). I am very disappointed because that is a good sum of money to unknowingly send down the plumbing system. It's just NOT right." I'd be VERY suprised if any European instruments are made this way -- it's the Europeans, after all, who perfected the traditional building methods to begin with! Eastern Europeans included. I have an Asian-built bass with (I'm told) the above-mentioned glue problem. Rather not mention the make here because I don't know first-hand that it's not the right glue, but I have been very careful to keep it humidified -- my bass tech tells me that if such a bass starts cracking it may be impossible to fix at some point, if a repair that would normally require removing the top is impossible because of the way the instrument was glued to begin with...." It seems that progress (cheaper construction) is an epidemic affecting fine products of all kinds. Michael