Archived posting to the Leica Users Group, 2004/01/21
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DKhong1/21/04
>1. Traditional darkroom only / Traditional darkroom plus digital darkroom
Both.
Analog Darkroom:
35mm, 120, 4x5, 5x7, 8x10 Black & White Film Processing
35mm V35 Leica Enlarger with 40mm Focotar
5x7 Durst Enlarger with Coldlight - Rodenstock and Scheider lenses from 80 to 210mm for 120, 4x5, 5x7 films
8x10 Durst with 301 Color head with 210 to 300mm shneider and Nikkor for 4x5, 5x7, 8x10 films.
4x8 sink and 30x40 allow 30x40 or smaller prints.
Digital Light Room:
Polaroid SS4000 Scanner
Epson 1600 Scanner
Epson 2450 Scanner
Mac 9600 driving Epson 3000
Mac G4 driving Epson 2200
Mac Powerbook G3 handling field viewing of digital camera work
>2. If both, in what proportion.
90% of proof sheets made in analog darkroom
60% of printing digital
40% of printing analog
>3. Using film cameras only / Both film and digital
Both.
Film Cameras:
Leica M6classic.72w/1.25, Leica M6TTL.58, 28 2.8, 35 1.4asph, 50 1.0, 75 1.4.
Leica R8, R3, 21 4, 35 2.0, 60 2.8, 85 1.4, 180 2.8, 400 6.8, 2x,
Hasselblad xPan, 45 4.0, 30 5.6,
Hasselblad 500cm, 40 4.0, 80 2.8, 150 4.0,
4x5 Linhof Tech IV, 75 8, 90 5.6, 121 8, 135 2.8, 180 5.6, 210 5.6, 270 5.5, 360 5.5.
5x7 Linhof Tech V
8x10 Deardorff, 165 8, 300 5.6, 300 8, 14.5" 8, 16.5", 18", 25"
12x20 Korona
Digital Cameras:
Leica Digilux 1
(Recently a lot of Renting of Canon 10d and using R glass)
>4. If both, in what proportion
Serious Personal Documentary Work = 90% B&W film
Commercial Work = 90% Digital
Dippy Dappy Happy Snaps = 50%/50%
Fond regards,
G e o r g e L o t t e r m o s e r, imagist
<>Peace<> <>Harmony<> <>Stewardship<>
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since 1975
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