Archived posting to the Leica Users Group, 2001/02/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>Until you have tried other developers/times/techniques don't give up on >the new film. >I'm not saying you are wrong but it could be that the problems you have >are the result of processing. >Locally, the good pro lab does B&W in a fancy Refrema processor. I doubt >that anyone can top them for consistency and quality of their process. >Their E6 is beyond criticism. >BUT >This means that they run everything in the same chemicals and at standard >times. So nobody gets optimzed processing. You get something close and >that's it - if you're lucky. If not, you get something bad for your film >choice and exposure - you might think a particular film is no good and >wonder why they even bother to make it! >I think that if you can't find a lab to do exact custom processing or if >you are not willing to tailor your work to fit a standard process you >need to do your own film. >The result is that you have control over your negatives. >Its that simple. > >Henry Ambrose Henry, Of course you are right; were I souping my own negatives, I could experiment until I found the developper that gave me the results I want. My problem is time: with working 50-60 hours a week, I'm lucky if I have an afternoon to spend in the darkroom or a whole day out shooting. For that reason, it's simply more convenient for me to have my film processed by a lab, which means I have to live with the results I get or switch labs. The reality is that I used to get results I liked with the previous Delta 400. Now that that is no longer the case, I'll just go back to my old standard: Agfapan 400. It's not a disaster, the new Ilford emulsion may be better for most folks and that may have been a wise decision on the part of the company. For me, it just means using another (comparable, IMO) film. Guy