Archived posting to the Leica Users Group, 2001/02/16

[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]

Subject: [Leica] [OT] photographic fraud and trickery
From: "Dave Fisher" <tekapo@golden.net>
Date: Fri, 16 Feb 2001 12:35:41 -0500
References: <200102161655.IAA09737@mejac.palo-alto.ca.us>

LUGgers,

Last night I watched a "documentary" on FOX with a curious title along the
lines of "Conspiracy Theory: Was the Moon Landing a Hoax?". Now, being on
FOX, the "documentary" was of course sensationalized and more than slightly
dubious. Having said that, there was lots of stuff that blew my mind. From
footage of Neil Armstrong ejecting himself from a practice LEM landing on
earth just seconds before he lost control and it crashed and exploded, to
theories about the effects of travelling through radiation in the Van Allen
Belt, to the high mortality rate of astronauts in freakish earthly
accidents, to Gus Grissom's family insisting that he was silenced (read:
killed) on Apollo 1 because he was ready to expose NASA and government lies.

I was taking it all with a grain of salt until a long sequence about the
photographic evidence made me sit upright. Did anybody else watch this??? I
wished I'd taped the thing. There was so much startling info, it was
disturbing. Whether the moon landing was a hoax is something I'm not ready
to pass judgment, but call me naive, they did a fairly convincing job of
making many of the moon landing pics look rigged.

There was a movie sequence of the LEM at the side of the frame stationary
while the astronauts were bouncing around. Then more shots of the astronauts
collecting moon rocks, supposedly on the exact same mission but 2-1/2 miles
away from the LEM. In this footage, there is no LEM. Shockingly, the
image -- from rocks scattered in the foreground to terrain in the
background -- is exactly the same setting, framed the same, tripod obviously
in the same fixed position. They overlapped the images, and it was a precise
match. What are the chances of that? Or, where'd the LEM disappear?? It
looked like a stage and backdrop.

More questions: Where are the crater blasts from getting off the moon? They
can't account for a single crater blast on any of the six landings. And, how
did those American Flags wave in the breezes of the moon, backward and
forward? They're waving around like there's a sea breeze.

They showed the typical movies of astronauts and vehicles bouncing around
like there was no gravity. They then sped them up at precisely double-speed,
and the movements looked naturally earthly -- real time, real gravity, with
dust flying around and falling like we'd expect to see on earth.

Then there's the pix of the astronauts themselves, climbing down the stairs
and standing in dark shadow of the landing craft. The shadow detail is
wonderful -- it's also impossible without the aid of a fill light. There
were also several shots showing shadows of the craft and rocks going in one
direction from the sun (the key light), and yet astronauts had shadows going
in different directions. NASA said no flash, strobes or other light sources
were used. The camera manufacturer Hassleblad says the same thing. In some
shots, the astronauts are backlit but you can clearly read what's on their
uniforms, when in actuality this should be black and in deep silhouette.
Curious...

More curious was the assessment of the designer of the still photography
cameras from Hassleblad (can't recall his name). He claims that the colour
stills are all perfectly framed, exposed and in focus, and insists that the
astronauts suits were so bulky that they prohibited even looking through the
viewfinders, let alone focussing the camera. The cameras were positioned at
their belts and aimed blindly. He doubts that so many perfectly composed,
focused and exposed photos could have been taken like this. One by accident,
maybe, but not a whole portfolio.

Then there's the dirty business of the cross-hairs. Hassleblad designed the
cameras to NASA specs so that a grid of crosshairs would appear in the
foreground of every photo. On many of the photos, the images were obviously
tampered with, because parts of the crosshairs disappear *behind* objects.
The Hassleblad designer says there's no plausible explanation beyond
tampering with the film.

The stuff was so dumbfounding, it made me begin to think the documentary
itself was a big hoax. (To say nothing of the satellite pics of Area 51.
There's a big region there with craters. They got one image of a big deep
crater from Area 51 and transposed it over a crater pic from a moon landing.
Another perfect fit...)

Has anybody heard any good plausible explanations for the photographic
evidence? Any books someone might recommend??

Dave

Replies: Reply from "B. D. Colen" <bdcolen@earthlink.net> (Re: [Leica] [OT] photographic fraud and trickery)