Archived posting to the Leica Users Group, 2001/01/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]AA discussed this in The Negative and Examples. Outdoors, shadows are illuminated by indirect, diffuse light from the atmosphere, being more blue. That is why yellow, and more dramatically orange and red, filters darken shadows for B&W. Same reason shadows can have a bluish cast in color transparencies, particularly in snow scenes. As I recall, he had an example of a picture of red sandstone canyon walls, for which he said that he used an orange filter to try to lower the tone of the rock, but this overly darkened the shadows, and he wished he had used a yellow filter. He stated that, he had come to the opinion that you don't need anything stronger than a minus blue, Y-15, filter for landscape photograhy, unless you are trying for a special effect, such as a nighttime look. Tom Schofield > > There is also something about yellow filters stealing the light out of the shadows. > > As shadows tend to be cool a yellow filter will steal the light out of them. > > But that touch of cyan to make it go yellow-green counteracts that as well. > > That's the whole spiel on yellow-green. > > I've come clean on yellow-green. > > > > Mark (What me yellow?) Rabiner > > Portland, Oregon > > USA