Archived posting to the Leica Users Group, 2000/06/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Bud >>I used all the Nikon F's from the Ft through the F2. Then I happened to get a look through the viewfinder of a new SL/2. I never took another frame with a Nikon F after that.<< When I look through my SL, I guess I'm a little shocked. It seems that viewfinders haven't really improved in 30-plus-years. In fact, IMHO, they've regressed. Today the instrument panel is foremost, and vision takes a back seat. (Almost like the design mentality behind modern day fighter jets). The simple, bright, uncluttered viewfinder on an SL or SL/2 with a fast lens -- like an M -- truly is a sight for sore eyes. It provides the eye -- and subsequently the mind -- with maximum visual information. How important is that to things like composition? I prefer a bright viewfinder to nearly all other features. Preparation and anticipation can mitigate the need for convenience features. Photography is not about snapping a shutter. It's about being in the right place at the right time. It's about seeing a certain expression or event before it happens. If you're in the wrong place, or you're in the wrong position, it doesn't matter how fast your AF might be, or how many frames pers second your camera will fire. If you are in the right place, at the right time, and you've anticipated the moment, you can get a powerful photograph with a Kodak Brownie. I'm not on a tirade saying that older is better. And I don't mean to over-simplify things. AF, AE, autobracketing, motor drives, etc., all have a place. But I think that while we've moved forward in those areas we've taken a step backwards in prisms (SLRs) and viewfinders (p&s') There aren't that many cameras with nice bright viewfinders nowdays. I've seen very few SLRs on par with an SL/2. Dave