Archived posting to the Leica Users Group, 2000/03/16
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Some Leica lenses are well-known for their uncanny ability to record extremely fine details in the object on the film. The big question many Leica users will be asking is this: can we get that quality on paper? We all know that every step in the reproduction process will degrade the image quality somewhat. Some writers/observers will even claim that this degradation is quite severe and will make the difference between a picture made with a Leica lens and a Pentax lens (as example) marginal if not hypothetical. So I went into the darkroom to check if I can transfer the potential image quality of a Leica lens to paper without a significant loss. I used the Summicron 2/50mm (latest generation) and a Ilford 100Delta in Rodinal, compared to a Kodak TMax100 in D76. Aim of this test was not to verify if the Pentax lens would be as good as the Leica lens when transferred to paper, but to see if the image quality of the Leica lens could be preserved on paper when using different film/developer combinations. The theory behind the choice is the fine grain versus acutance type of development for preserving image sharpness. To get some tangible results I used a resolution chart. The Summicron 50mm will resolve 40lp/mm with good contrast as the MTF curves will tell you. Now 40lp/mm is quite a bit: it means that 80 lines per mm will be detectible with great clarity on the negative, each line having a width of 12.5 microns (thousands of a mm). The question is now: can I get the same definition of fine detail that is delivered by the lens on paper when I use a negative, an enlarger and a print. At enlargements of about 10 times I could not detect the same definition. It was always lower. Now when enlarging to 16 times from the full negative I clearly saw the fine details that are equivalent to that resolution of 40lp/mm. . If I had used even finer grained film with a bigger enlargement the film/enlarger/paper combination would get me to about 80lp/mm, which is about the maximum any well-corrected lens can deliver in practice. I used the Focotar 2.8/40. At 2.8 (just as an aside) the resolution was below my expectations.Stopped down to 5.6 the world was OK. So this test indicates that the high quality of a Leica lens can be put on paper and be visible by any observer with an unaided eye. The 100Delta was ahead of the TMax100 in this discipline. By implication: if a Pentax lens were as good as a Leica lens, it would show. If not, it would be visible too. Conclusion: with suitable material and technique Leica lenses can be made to deliver their image potential on paper. But a negative needs to be enlarged to at least 12 times to show the decisive advantage. Or you need a very critical eye. Erwin