Archived posting to the Leica Users Group, 1999/12/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hi Bernard wrote >But if you'd give him a 5 degree attachment for Christmas, he just might.> (In reply to my statement about the relative accuracy of Incident meters.) Bernard, why would I do that, when I have his pals Mr Pentax Spotmeter and Mr Sekonic Spotmeter sitting right beside him? And in any case, the same meter is equally accurate in all situations. It does not matter what the attachments are. Same meter=same degree of accuracy. Accuracy, as far as lightmeters are concerned, is about the tolerances within which an instrument will provide a measurement of the light falling on its sensitive area. The _method_ in which the instrument is used is something else altogether. On another point, Eric's rebuttal of Frank's suggestion that all meters are incident meters is wholly correct. Frank is indeed "flat wrong" and would appear to misapprehend the terms "incident" and "reflected" in this context. Possibly Frank has failed to grasp the importance of the selectivity allowed by using a reflected meter in conjuction with a Zone system of analysis. Whatever, Eric's point that using certain methods of measuring reflected light can allow a considered placing of tonal values on the exposure scale is THE point here. The incident method CANNOT provide the information necessary to do that. (Mark you, neither can using a wide-field reflected meter from well back; you need to use a spotmeter or the widefield meter close in.) If you don't understand the principles of exposure, then go ahead and use an incident meter. Most times you'll get an acceptable result. You'll just never know why. But in part photography is about having fun, and if you just want to take pictures and are not interested in the techie stuff, that's fine- I for one am certainly not criticising. At least you're taking pictures. Just avoid taking pictures in the situations where you actually do need to know what's going on. Not all scenes reflect 18%, and amongst those that do, the relative emphasis we wish to give to elements within the scene, in our representation of it, may not be that which we will arrive at by following the assumptions made when using an incident metering method. Photography is about reflected light, not about incident light. The film in our cameras is not exposed by the light falling on a subject, it is exposed by the light reflected from it. It therefore follows that the most useful method of exposure determination is one that measures this directly- the reflected light method. But in order to use the information given by that method we need either to know how to apply some sort of zone system, or be sufficiently experienced to determine the right exposure "by the seat of our pants". The fact that this might require a little bit of study and practise on the part of the photographer just proves the rule that nothing good comes easy. Why should photography be different from any other art? On a final point, I too have come across my share of situations where a bunch of smudgers were waving their meters around and comparing readings. I just ignore 'em. I think they're just trying to be friendly. It's a kind of code. It beats sticking their elbows in each others' faces and kicking each others' shins. Cheers Rod