Archived posting to the Leica Users Group, 1999/11/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Mike, I'll agree with your comments on this subject (without copying the entire message), and in particular that much or most color photography is missing the elements of form and meaning, and concentrates on the eye-candy of pretty colors. The popularity of Velvia comes immediately to mind. As you wrote: >>> I have been very encouraged by what I've seen so far of the digital processes, and I think it will prove out that digital is, in fact, the true "coming of age" of color photography as an art form. The reason is control. It will simply be possible to use color expressively, instead of learning one or another relatively rigid color process and then "fitting" expressive work to it. Relatively few artists have even even begun to explore the expressive potential of digital methods, focusing instead either on digital's easy of use or its other effects such as pastiche and image manipulation. But the best of the digital processes, both colloquial and esoteric, already exceed in technical beauty, and certainly in potential, most of the common commerical color processes such as Ektacolor reversal film, Chromogenic prints, and Ilfochrome. <<< I've begun working with digital processes, in particular LightJet5000 prints made from scans of Kodchromes and I'm excited by the potential of the process for the reasons you've mentioned. I've stayed away from image manipulation or fakery, using the digital controls to bring the most out of the original images. I can't claim to have mastered either PhotoShop or the artisic expression that color photography has to offer but with the digital process the range of expression than can be translated to a print has expanded far beyond what was previously possible, such that many of my older chromes are now printable with far more impact and subtlety, and in my current field work I'm not limiting myself to images that will work with older printing processes. Doug Herr Sacramento http://ourworld.compuserve.com/homepages/telyt