Archived posting to the Leica Users Group, 1998/03/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I've got a technical photography question which has escaped perusing a number of book resources: What is the range of illumination, i.e., F stops, that print/slide film can normally handle. I'm interested in this from the point of view of landscape photography, where graduated neurtral density filters are apparently used when, e.g., brightness of the sky may be far greater than other parts of the frame, creating a situation where one can only expose part of the image correctly. I encountered this while attempting landscape photos in the Himalaya, where, at alttitude, distant mountains where extremely bright relative to foreground. To capture them, the foreground would be underexposed; to get the foreground, the background would be overexposed to the point of total loss of detail From reading, the solution is to use the graded neutral density filter. My question is , what is the exposure range (in F stops) beyond which such comopensation is necessary. Looking in Adam's classic tome "the negative" and the more modern take on the zone system in grave's book, there is no discussion of this issue. What is discussed is the range of F stops spanning zone 1 to 9 (10 stops). If the range of illumination in the subject is greater (which could be figured out by taking spot readings of darkest and lightest areas), the scene is considered to have increased contrast, and the film (B&W) can then be developed to expand its range of useful contrast. However, there must clearly be a limit to the degree of useful expansion. (This is also of limited use with color film). I have been unable to find any written discussion of the exposure range for the commonly available Kodak/Fuji films. Knowledge of this would be essential for outdoor photography: to enable the photographer to know when a given image would require a graded neurtal density filter. Also, can pre-exposure be used to solve the same problem? Vis a vis the G1/G2, has anyone come up with work- arounds for the difficulty (?impossibility) of using graduated neurtral density filters? I would appreciate some help. Thanks Greg Ruskin