Archived posting to the Leica Users Group, 2024/03/26

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Subject: [Leica] City Lights for a kiss
From: lluisripollphotography at gmail.com (Lluis Ripoll)
Date: Tue, 26 Mar 2024 22:30:16 +0100
References: <913EFCA0-7B81-43F0-B8C9-567D6ECB4288@gmail.com> <CA+3n+_k2poWeuNxVq0=7us479xk-ZP57+X75b8z+Axc6XG0Wtw@mail.gmail.com>

Hi Don,

Thank you very much for looking and your comments. I find very interesting 
your comment to start a good fiscussion (if I have the time :-). Every one 
of us we have our preferences, on my case I prefer the wode range of grey 
tones, however when it?s make a wet copy the tones are better represented 
than in a monitor, maybe I will burn a little bit the background area to 
enhance the couple, but in my opinion printing techniques will be not 
exactly as the dark tones that the Genious and Master Eugene Smith does, it 
depends more of the exposure and development than the printing techniques, 
if you want dark the tones using only printing techniques the highlights 
will probably look as grey tones instead a brilliant white. Smith had a very 
special technique, as you know normally the developersdilutions are 1:2 or 
1:3, he did 2:1 !!!, he place the exposure one zone minus and develop for 
one zone more, for this reason his pictures show these rich dark tones and 
brilliant highlights, he say that he used usually the Farmers reductor to 
obtain better highlights, in the famous funeral photo he worked all the 
faces like this. His darkroom work was extraordinary, the Dr. Schweizer 
picture he took 5 days and 5 nights to do it, it had about 125 steps, 
finally he did a picture of the final print and he reduced the steps to 25 
and he was very happy!

All this and other techniques from Masters as Emmet Gowin I had the 
privilege to see his originals, are explained on te two book of the 
Editorial Lustrum, founded in 1973 by Ralph Gibson, these two books contents 
interviews with many Masters explaining their techniques, I really recommend 
them for the darkroom lovers.

Cheers
Lluis
 

> El 26 mar? 2024, a les 13:55, Don Dory via LUG <lug at leica-users.org> va 
> escriure:
> 
> Great capture, I think that printed a little darker to influence the seeing
> as evening culmination of a great date.  Just my initial thoughts of a
> wonderful image.  Plus I've been examining the non dog images of Elliot
> Erwitt which have been printed to the dark side.  That and the images of
> Eugene Smith especially his loft project so my exposure has been to the
> dark side of prints.
> 
> On Tue, Mar 26, 2024 at 6:41?AM Lluis Ripoll via LUG <lug at 
> leica-users.org>
> wrote:
> 
>> <http://gallery.leica-users.org/v/luisrq/Barcelona/2024F030330.jpg.html>
>> Leica M6, Summilux 50 II, Tri-X 400, D-23 Stock
>> 
>> Thanks for looking, your c&c are welcome
>> 
>> Saludos cordiales
>> Lluis
>> 
>> 
>> _______________________________________________
>> Leica Users Group.
>> See http://leica-users.org/mailman/listinfo/lug for more information
>> 
> 
> 
> -- 
> Don
> don.dory at gmail.com
> 
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information



Replies: Reply from don.dory at gmail.com (Don Dory) ([Leica] City Lights for a kiss)
In reply to: Message from lluisripollphotography at gmail.com (Lluis Ripoll) ([Leica] City Lights for a kiss)
Message from don.dory at gmail.com (Don Dory) ([Leica] City Lights for a kiss)