Archived posting to the Leica Users Group, 2014/02/22

[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]

Subject: [Leica] Lluis' B&W tonality
From: lluisripollphotography at gmail.com (Lluis Ripoll)
Date: Sat, 22 Feb 2014 19:48:59 +0100
References: <8D0FBA15ABED5B6-AA4-9CF0@webmail-d248.sysops.aol.com> <21E0323E-35B2-4033-9C1B-DB68EE981B44@gmail.com> <88C08543-F4B6-4493-A4EE-A587AF0B6927@gmail.com> <CAE3QcF6EPo9EhtL0t6F6W05toYzxA+Zq7fv+GFz8EdTRhTV-uA@mail.gmail.com>

Geoff, my friend

The same said to Bob, thank you very much, and for me a really a pleasure 
when someone from the LUG come to Barcelona, very soon Gerry and me we will 
chasing se?oritas in the Barcelona streets, sharing a beer in the Zurich and 
some Catalan food and chupito in El Julivert Meu?

I?m sure Bob will enjoy Barcelona very much too.

Cheers
Lluis


El 21/02/2014, a las 13:11, Geoff Hopkinson <hopsternew at gmail.com> 
escribi?:

> Bob the very best way to absorb the instruction from Don Lluis is to walk
> and shoot with him all day in a superb city environment (with intervals for
> delicious Catalan food) then sit over a beer in front of the computer with
> Lluis. You need to go to Barcelona!
> 
> 
> Cheers
> Geoff
> http://www.pbase.com/hoppyman
> 
> 
> On 21 February 2014 17:25, Bob Adler <rgacpa at gmail.com> wrote:
> 
>> Thank you Lluis. An excellent tutorial that gives a starting point to us
>> novices who wish to develop our own processes.
>> You are very generous.
>> Best,
>> Bob
>> 
>> Sent from my iPad
>> 
>>> On Feb 20, 2014, at 3:36 PM, Lluis Ripoll <
>> lluisripollphotography at gmail.com> wrote:
>>> 
>>> Thank you Susan, Gerry, Bob, Larry and others ... I really think I don't
>> deserve such mentions, I've saw after years the B&W of many of many of you
>> are sharing with us, everyone has his own style and I don't know if I can
>> explain my workflow as a certain rule ... , IMHO is a question of the
>> personal preferences. Even so I can explain why I work.
>>> 
>>> I normally work in manual mode and in digital I prefer a little under
>> exposure than over exposure. Usually I prefer use old lenses, IMHO they
>> give more medium tones and less crispy images to work. When I process the
>> DNG I have certain "own" rules, I try to avoid or at least minimize the
>> extreme tones of the Dynamic Range, Absolute Black (Zone 0) and absolute
>> white (Zone X), usually I start marking the white and the black points,
>> after I do a first arrangement using the extended Dynamic range that offer
>> Capture One (medium tones for shadow and lights), after this I work with
>> the curve to obtain the contrast I want, finally I work on the classical
>> controls of Exposure, Brilliance and Contrast an if it is necessary I
>> correct the previous values I've do. I edit the image in Photoshop and I
>> click in to the Automatic levels, generally I accept what PS does. If the
>> image is too flat I try to improve it with Silver Efex Pro.
>>> 
>>> IMHO Capture One is a great tool for work the B&W, it has different B&W
>> presets, and I have also build mines. The same thing with Silver Efex Pro,
>> I've never use the standard presets, I've build some own presets, but
>> rarely they work for a new picture, I have to modify different things.
>>> 
>>> When I work I always take care of the histogram, and I try to cover all
>> the range. Silver Efex Pro offer the histogram and the 10 zones, this is
>> useful for me, I can better correct extreme Zones 0 and 10.
>>> 
>>> I don't know if this can be interesting for you, I think is nothing new,
>> last Summer our friend Geoff was with me looking my workflow, I work by my
>> instinct and I think difficult made, as you say, a tutorial, this sounds
>> for me too pretentious...
>>> 
>>> I hope have answered your question ...
>>> 
>>> Thank you very much!
>>> Lluis
>>> 
>>> 
>>>> El 19/02/2014, a las 16:49, lrzeitlin at aol.com escribi?:
>>>> 
>>>> Lluis,
>>>> I am always impressed by the tonal quality you manage to achieve in
>> your B&W pictures. Especially when viewed on the new high resolution 
>> screen
>> of my Macbook Pro. We may differ on matters of composition and subject
>> selection but your B&W images are far superior to the bulk of those shown
>> on the LUG. I mean no disrespect to other photographers but your pictures
>> are in a class by themselves.? It can't all be the Leica Monocrom.? The
>> results are just as good with every camera you use, even old film cameras.
>> The big question is how do you do it??
>>>> Could you describe your workflow from shutter click to posting on the
>> internet as a tutorial for less adept photographers. I would like to be
>> able to get your results in B&W images.
>>>> Larry Z
>>>> 
>>>> 
>>>> _______________________________________________
>>>> Leica Users Group.
>>>> See http://leica-users.org/mailman/listinfo/lug for more information
>>> 
>>> 
>>> _______________________________________________
>>> Leica Users Group.
>>> See http://leica-users.org/mailman/listinfo/lug for more information
>> 
>> _______________________________________________
>> Leica Users Group.
>> See http://leica-users.org/mailman/listinfo/lug for more information
> 
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information



In reply to: Message from lrzeitlin at aol.com (lrzeitlin at aol.com) ([Leica] Lluis' B&W tonality)
Message from lluisripollphotography at gmail.com (Lluis Ripoll) ([Leica] Lluis' B&W tonality)
Message from rgacpa at gmail.com (Bob Adler) ([Leica] Lluis' B&W tonality)
Message from hopsternew at gmail.com (Geoff Hopkinson) ([Leica] Lluis' B&W tonality)